The Arts and Crafts of Older Spain, Volume 3 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 3 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
The earliest pulpits of the Spaniards were similar to those of other
Christian nations. One of them was the _tribuna_ or _tribunal_, so
called, according to Saint Isidore, "because the minister delivers from
it the precepts for a righteous life, wherefore it is a seat or place
constructed upon high, in order that all he utters may be heard." The
ambo, too, although it is not mentioned by Saint Isidore, was probably
not unknown among the Spaniards.[61] Then there were various desks, such
as the _analogia_, _legitoria_, or _lectra_, on which the scriptures
were deposited in church, or carried in procession, and from which the
latter were read aloud by the priest. Saint Isidore remarks of the
_analogium_; "It is so called because the word is preached therefrom,
and because it occupies the highest place."[62] Ducange, quoting from
old authors, remarks in his Glossary that these desks were often adorned
with gold and silver plates or precious stones. Thus it is extremely
probable that Tarik's celebrated "table" (see Vol. I., pp. 31 _et seq._)
was merely some elaborate and bejewelled _analogium_ of the Christians;
such as was, in fact, the predecessor of the modern lectern or
"hand-pulpit."
[61] "Ambo, pulpitum ubi ex duabus partibus sunt gradus." Ugutio,
quoted by Ducange.
[62] _Originum_, Book XV., Chap. iv.
According to Amador de los Ríos, sermons in those early times were
delivered from the _analogium_ only. Towards the twelfth century, the
Isidorian liturgy was abolished in Spain, and the furniture of Spanish
temples underwent some change. In the same century and throughout the
century following, the Spanish Peninsula was invaded by the Order of
Preachers, while, coinciding with, or closely consequent upon, this
movement, the primitive ambo was succeeded by the _jubé_, and wood, as
the material of which the pulpit was constructed, by marble, iron,
stone, or plaster.
Two Mudejar pulpits of great interest are preserved at Toledo, in the
church of Santiago del Arabal (thirteenth century), and in the convent,
erected in the reign of Pedro the Cruel, of Santo Domingo el Real. The
substance of these ancient objects is a brick and plaster foundation,
with panels of the stucco known as _obra de yesería_, produced from
wooden moulds. The pulpit of the church of Santiago is traditionally
affirmed to be the one from which, in 1411, Saint Vincent Ferrer
delivered a sermon to the Toledan Jews. Whether this be so or not, the
date of its construction is undoubtedly the second half of the
fourteenth century, or early in the fifteenth. The shape is octagonal--a
very common form with Gothic pulpits. It is divided into four _cuerpos_
or orders, including the sounding-board. The decoration, which is
chiefly floral, is a combination of the Gothic and the Moorish styles.
Public-domain text, read in full here on John Shaqi.
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