"En Espagne," says Müntz, "l'industrie textile ne tarda pas à prendre également le plus brilliant essor, grâce à la conquête maure. Les étoffes d'Almeria acquirent rapidement une réputation européenne; il est vrai que c'étaient des brocarts, des damas, et autres tissus analogues, non des tapisseries: l'influence qu'elles furent appelées à exercer au dehors se borna donc au domaine de l'ornementation." [Illustration: XIX THE "GENESIS TAPESTRY" (_12th Century; Gerona Cathedral_)] Of a similar composition to the foregoing fabrics specified by Müntz--that is to say, not genuine tapestries, although requiring for several reasons to be classed with these--is the celebrated "Genesis" (Plate xix.) of the cathedral of Gerona. This primitive yet complicated work of art, dating from the twelfth century, is embroidered in crewels upon linen, and represents the creation of the world. Its dimensions are about four yards high by four and a half yards wide; but the bordering has been torn away in places. The design is thus described by Riaño:--"In the centre is a geometrical figure formed by two concentric circles. In the lesser circle is a figure of Christ holding an open book, on which appear the words _Sanctus Deus_, and on each side _Rex fortis_, surrounded by the inscription, _Dixit quoque Deus, Fiat lux, Et facta est lux_. In the larger circle are the words, _In principio creavit Deus coelum et terram, mare et omnia quæ in eis sunt, et vidit Deus cuncta quæ egerat et erant valde bona_. "The space between the two circles is divided by radiating lines into eight portions, in which are represented the Mystic Dove, the angels of light and darkness: the division of land from water, the creation of sun, moon, and stars, of birds, fishes, and beasts, and of Adam and Eve. In the angles outside the larger circle are the four winds, and the whole is surrounded by a border, imperfect in parts, containing representations of the months, and apparently of certain scriptural incidents, too much defaced to be clearly made out."