The Arts and Crafts of Older Spain, Volume 3 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 3 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
This proof of heavenly grace presaged a further and a more complete
deliverance. When Theodosio's wandering had lasted seven years, he
reached one day the summit of Mount Aralar, at two leagues' distance
from his own castle, and was there met by a ferocious dragon of
appalling size. Being, as a penitent, unarmed, as well as encumbered by
his massive chains, the miserable man fell helpless to his knees, and
called to God to succour him. The prayer was heard. Suddenly the form of
his patron the archangel flashed out against the sky, the dragon fell
dead, and all of Theodosio's chains were shattered, and dropped from
him. Here, therefore, he built another and a larger temple in honour of
his guardian, and, accompanied by Doña Constanza, passed the remainder
of his life in peaceful and secluded piety.
The castle of Goñi, which was also called "Saint Michael's palace," and
"the palace of the cavalier to whom Saint Michael revealed himself," was
standing as late as the year 1685, but, according to Padre Burgui, by
the close of another century the walls were crumbling fast. Until about
the year 1715 there also stood an ancient wooden cross to mark the spot
where Satan, in a hermit's garb, had appeared to Don Theodosio.
APPENDIX B
JET-WORK OF SANTIAGO
In former times the art of carving jet was largely practised at this
town. The characteristic form was the _signaculum_ or image of Saint
James; that is, a more or less uncouth representation of the apostle in
full pilgrim's dress. The height of these images, which are now
dispersed all over Europe, varies between four and seven inches. They
are fully described in Drury Fortnum's monographs, _On a signaculum of
Saint James of Compostela_, and _Notes on other signacula of Saint James
of Compostela_, as well as in Villa-amil y Castro's _La azabachería
compostelana_. These objects were sold in quantities to the pilgrims
visiting Santiago, who nevertheless were often cheated by the
substitution of black glass for jet.[59]
[59] The following passage from Townsend's Journey through Spain (Vol.
II., p. 56), is curious as showing where jet was formerly found in
this Peninsula. "When I returned to Oviedo, a gentleman gave me a
collection of amber and of jet, of which there is great abundance
in this province: but the two most considerable mines of it are in
the territory of Beloncia, one in a valley called Las Guerrias, the
other on the side of a high mountain in the village of Arenas, in
the parish of Val de Soto. The former is found in slate, and looks
like wood: but when broke, the nodules discover a white crust,
inclosing yellow amber, bright and transparent. Jet and a species
of kennel coal, abounding with marcasites, universally accompany
the amber."
Public-domain text, read in full here on John Shaqi.
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