The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
whereas the fact is that all they can claim is to have been the first to
produce them by some more expeditious method of making. According to the
opinion of several _savants_, Laurent Coster of Haerlem was only an
engraver of wood-blocks for cards and pictures, before he became a
printer of books. It certainly is a fact that wood-engraving, which was
for a long time limited to a few studios in Holland and Upper Germany,
owed a large share of its progress to the trade in playing-cards--one
which was carried on with such activity that, as we read in an old
chronicle of the city of Ulm, about the year 1397, “they were in the
habit of sending playing-cards in bales to Italy, Sicily, and other
southern countries, to exchange for groceries and various merchandise.”
A few years later, engraving on metal or copper-plate was employed in
producing playing-cards of a really artistic character, among which we
may mention those of “The Master of 1466” (Figs. 228 and 229), and by
his anonymous rivals. The pack of cards of this engraver exists only in
a small number of print-collections, and it is in every case incomplete.
As far as we can judge, it must have been composed of sixty cards,
consisting of forty numeral cards divided into five series, and twenty
picture-cards, being four to each series. The figures are the king,
queen, knight, and knave. The suits, or marks, present rather a strange
selection of wild men, ferocious quadrupeds, deer, birds of prey, and
various flowers. These objects are numerically grouped and tolerably
well arranged, so as to allow the numbers indicated to be distinguished
at first sight.
Thus, as we have seen, playing-cards made their way through Arabia from
India to Europe, where they first arrived about the year 1370. Within a
few years they spread from the south to the north of the latter country;
but those who, under the influence of a passion for play, had so eagerly
welcomed them, were far indeed from suspecting that this new game
contained within itself the germ of two of the most beautiful inventions
ever devised by the human mind--those of engraving and printing. There
can be no doubt that playing-cards were in use for many a long year, ere
the public voice had proclaimed the almost simultaneous discovery of the
arts of engraving on wood and metal, and of printing.
[Illustration: Fig. 230.--Coat of Arms of the Cardmakers of Paris.]
GLASS-PAINTING.
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