The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
Primitive Binding of Books.--Bookbinding among the
Romans.--Bookbinding with Goldsmith’s Work from the Fifth
Century.--Chained Books.--Corporation of _Lieurs_, or
Bookbinders.--Books bound in Wood, with Metal Corners and
Clasps.--First Bindings in Leather, honeycombed (_waffled_?) and
gilt.--Description of some celebrated Bindings of the Fourteenth
and Fifteenth Centuries.--Sources of Modern Bookbinding.--John
Grollier.--President De Thou.--Kings and Queens of France
Bibliomaniacs.--Superiority of Bookbinding in France.
As soon as the ancients had made square books, more convenient to read
than the rolls, binding--that is to say, the art of reuniting the leaves
stitched or stuck (_ligati_) into a movable back, between two square
pieces of wood, ivory, metal, or leather--bookbinding was invented. This
primitive binding, which had no other object than that of preserving the
books, no other merit than than of solidity, was not long ere it became
associated with ornament, and thus put itself in relation with the
luxury of Greek and Roman civilisation. Not contented with placing on
each side of the volume a little tablet of cedar-wood or of oak, on
which was written the title of the book (for books were then laid flat
on the shelves of the library), a piece of leather was stretched over
the edge to preserve it from dust, if the book was valuable, and the
volume was tied up with a strap passed round it many times, and which
was subsequently replaced by clasps. In certain instances the volume was
enveloped in thick cloth, and even enclosed in a case of wood or
leather. Such was the state of bookbinding in ancient times.
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