The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
In the musters, or processions, of the University of Paris, the
bookbinders came after the booksellers. To explain the relatively small
number of professed bookbinders, we must remember that at this period
the majority of scholars bound their own books, as divers passages of
ancient authors prove; while the monasteries, which were the principal
centres of bookmakers, had one or many members of their community whose
special function it was to bind the works written within their walls.
Tritheimius, Abbot of Spanheim at the end of the fifteenth century, does
not forget the bookbinders in the enumeration he makes of the different
employments of his monks:--“Let that one,” says he, “fasten the leaves
together, and bind the book with boards. You, prepare those boards; you,
dress the leather; you, the metal plates, which are to adorn the
binding.” These bindings are represented on the seal of the University
of Oxford (Fig. 381), and on the banners of some French corporation of
printers and booksellers (Figs. 382 and 386).
The metal plates, the corners, the nails, the clasps with which these
volumes were then laden rendered them so heavy that, in order to enable
the reader to turn over the leaves with facility, they were placed on
one of those revolving desks having space for many open folios at the
same time, and which were capable of accommodating many readers
simultaneously. It is said that Petrarch had caused a volume containing
the “Epistles of Cicero,” transcribed by himself, to be bound so
massively, that as he was continually reading it, he often let it fall
and injured his leg; so badly once that he was threatened with
amputation. This manuscript in Petrarch’s handwriting is still to be
seen in the Laurentian Library at Florence; it is bound in wood, with
edges and clasps of copper.
The Crusades, which introduced into Europe many luxurious customs, must
have had great influence on bookbinding, since the Arabs had for a long
while known the art of preparing, dyeing, stamping, and gilding the
skins they employed to make covers for books: these covers took the name
of _alæ_ (the wings), no doubt from the resemblance between them and
the wings of a bird of rich plumage. The Crusaders having brought back
from their expeditions specimens of Oriental binding, our European
workmen did not fail to turn their brilliant models to account.
[Illustration: Fig. 381.--Seal of the University of Oxford, in which is
a Book bound with Corners and Clasps.]
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