The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
Belonging to the Duke of Orleans, brother of Charles VI., we find
Végèce’s book, “On Chivalry,” “covered in red leather inlaid, which has
two little brass clasps;” the book of “Meliadus,” “covered in green
velvet, with two silver-gilt clasps, enamelled with the arms of his
Royal Highness;” the book of Boèce, “On Consolation,” “covered in
figured silk;” “The Golden Legend,” “covered in black velvet, without
clasps;” the “Heures de Notre-Dame,” “covered in white leather.”
The same inventories give an account of the prices paid for some
bindings and their accessories. Thus, in 1386, Martin Lhuillier, a
bookseller at Paris, received from the Duke of Burgundy 16 francs
(equivalent to about 114 francs French money of the present time), “for
binding eight books, of which six were covered in grained leather;” on
Sept. 19, 1394, the Duke of Orleans paid to Peter Blondel, goldsmith, 12
livres 15 sols, “for having _wrought_, besides the duke’s silver seal,
two clasps” for the book of Boèce; and on Jan. 15, 1398, to Émelot de
Rubert, an embroideress at Paris, 50 _sols tournois_, “for having cut
out and worked in gold and silk two covers of green Dampmas cloth, one
for the Breviary, the other for the Book of Hours of the aforesaid
nobleman, and for having made fifteen markers (_sinets_) and four pair
of silk and gold straps for the said books.”
The old style of thick, heavy, in some sort armour-plated, binding,
could not exist long after the invention of printing, which, while
multiplying books, diminished their weight, reduced their size, and,
moreover, gave them a less intrinsic value. Wooden boards were replaced
by compressed cardboard, nails and clasps were gradually laid aside, and
stuffs of different kinds no longer used; only skin, leather, and
parchment were employed. This was the beginning of modern binding; but
bookbinders were as yet but mechanics working for the booksellers, who,
when they had on their premises a bookbinding-room (Fig. 384), assumed,
in their editions, the double title of _libraire-relieur_
(bookseller-bookbinder) (Fig. 385). In 1578, Nicholas Eve still placed
on his books and his sign-board, “Bookseller to the University of Paris
and Bookbinder to the King.” No volume was sold unbound.
Public-domain text, read in full here on John Shaqi.
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