The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
We may add that letters of the King of France mention that from 1456
there were certain revenues derivable from the “Beauvais Potteries;” and
in the twenty-seventh chapter of the first book of “Pantagruel,”
published in 1535, Rabelais places among the various articles composing
the trophy of Panurge, “a saucer, a salt-cellar of clay, and a Beauvais
goblet;” which proves, as M. de Sommerard remarks, “that as early as
this date, there were manufactured in this city vessels of clay
sufficiently good in quality to be placed on the table with silver and
pewter utensils;” but it does not naturally follow that France had not
long to wait for the man of genius who would soon leave her nothing to
covet from Italy.
[Illustration: Fig. 36.--Cup, Italian Ware. In the Collection of Baron
Alph. Rothschild. Taken from MM. Carle Delange and C. Borneman’s work.]
About the year 1510, in a small village in Périgord, a child was born
who, after receiving the rudiments of education, was obliged while still
quite young to try to gain a livelihood by his own industry. This
child’s name was Bernard Palissy. He first learnt the trade of a
glazier, or rather of a glass-fitter and painter. This trade, while it
initiated him into the principles of drawing, and gave him a certain
insight into chemical manipulations, at the same time aroused in him a
taste for art and the study of natural sciences. While “painting figures
in order to gain his daily bread,” as he himself tells us in one of the
works he has left behind him, and which gives us the highest opinion of
his simple yet energetic nature, he applied himself to the study of the
true principles of art in the works of the great Italian painters--the
only artists then in repute. Owing to various circumstances the trade
of glazier proving unprofitable, he at once began the study of geometry,
and soon obtained credit, in the part of the country wherein he dwelt,
as “a clever draughtsman of plans.” Such comparatively mechanical labour
as this could not long suffice for the active vigour of a mind thirsting
after progress and discovery. Moreover, Palissy, while employed on his
calling as a land-surveyor, had never ceased to give close observation
to the structure and composition of geological strata. With the purpose
of dispelling the doubts in his mind, and also with the object of
obtaining substantial confirmation regarding the system he had already
originated, he began to travel. The result of his journeyings was the
inauguration of a theory which, after having long been contemptuously
rejected by the learned, was nevertheless destined to form the
foundation of principles which are now considered as the basis of modern
geological science.
[Illustration: Fig. 37.--A figured Border of an Enamelled Dish, by
Bernard Palissy.]
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