On a writing-table in one of the bedrooms, Gimblet found a paper-weight in the bronze shape of a Spanish toro, head down, tail brandishing, a fine emblem of goaded rage. But there was nothing promising about the round mahogany table on which it stood: no drawer, secret or otherwise could all his measurings and tappings discover; the animal, when lifted up by the horn and dangled before the detective's critical eye, proclaimed itself modern and of no artistic merit. It was like a hundred others to be had in any Spanish town, and by no expanding of terms could it be considered a curiosity. Except for this one more than doubtful find, he drew the whole house absolutely blank. There were very few specimens of ancient work in the castle, which like so many other old houses had been stripped of everything interesting it contained in the middle of the nineteenth century, and entirely refurnished and redecorated in the worst possible taste. With the exception of some family portraits, the lacquered clock in the library was the one genuine survival of the Victorian holocaust, and though Gimblet passed nearly half an hour in contemplating it he could not see any way of connecting it with a bull, nor was he a whit the wiser when he finally turned his back on it than he had been at the beginning. CHAPTER XV Blanston, to whom he appealed, could give no useful information. Yes, some of the plate was old, but that was all at the bank in London. Mrs. Haviland, his lordship's sister, had liked it on the table when his lordship entertained in his London house, and it had not been carried backwards and forwards to Scotland since her ladyship's death. He knew of nothing resembling a bull in his lordship's possession, unless it was the picture of cows that hung in the drawing-room opposite the one of the dead stag. Gimblet had already exhausted the possibilities of that highly varnished oil-painting, and he went forth from the house in a state of deep dejection. As he descended the drive he heard his name called, and looking back perceived the short, sturdy figure of Lady Ruth hurrying down the road behind him. "If you are going back to the cottage, Mr. Gimblet," she panted, "let us walk together. I ran after you when I saw your hat go past the window, for I couldn't stand those frowsty old papers of Mark's any longer." Gimblet waited till she came up, still talking, although considerably out of breath.