The Assault: Germany Before the Outbreak and England in War-TimeWile, Frederic William
History
The Assault: Germany Before the Outbreak and England in War-Time
Wile, Frederic William
World War, 1914-1918
But what we could not see at Nauen, Rathenow, Stendal, Gardelegen,
Obisfelde and Lehrte, we could hear, for all the inhabitants of every
hamlet and town in Central Germany appeared to have orders from
somewhere to assemble at their railway-stations and sing themselves red
in the face for Kaiser and Empire. Manifestly the Supreme War Lord had
not only called up his armed legions, but mobilized the country’s
_Singvereine_ besides, and man, woman and child of them were now in the
trenches with their throats bared to the foe. I suppose they were
chanting _Die Wacht am Rhein_ and _Deutschland, Deutschland über Alles_
in other parts of Germany, too, but I have often thought that the
country’s most vociferous and tireless choral artists were concentrated
on that day on the strategic line of the British safe-conduct train’s
route. If the Great General Staff at Berlin, with that incomparable
attention to detail which is one of its vaunted accomplishments, schemed
to send us out of Germany convinced, by the evidence of our own ears,
that the Kaiser’s people were sallying forth to war like Wagnerian
heroes with music and triumphant cheers on their lips, the plan
succeeded. My own indelible recollection of that farewell ride across
Germany, at any rate, is the memory of song. For many days and nights
afterward, _Die Wacht am Rhein_ and _Deutschland, Deutschland über
Alles_, would ring and ring through my head. At the time it all seemed
beautifully spontaneous, for the Germans are a singing folk, who put
soul into their anthems, but reflection makes me wonder if that
continuous song-service which so mercilessly accompanied us from Berlin
to the Netherlands was not a stage-managed extravaganza with a motive.
The Germans are a thorough race, and in war they overlook no
opportunity.
It was only at times that the singing was anything else than merely
monotonous--the periodical occasions when, if we halted longer than
usual at a station, the singers would line up alongside the train so
closely that they could fairly shout in our ears. Then there would be a
note of ill-mannered defiance in their song. At Hanover we happened to
be drawn up in the station at the very moment when the British
Ambassador and the Belgian Minister were in the dining-car, and there
was a particularly vehement vocal endurance competition outside of the
window at which they were sitting. But from my own table on the opposite
side of the car I observed that Sir Edward Goschen was not visibly
diverted from his _Wiener-Schnitzel_, for, while the _Deutschland,
Deutschland über Alles_ was doing its worst, he remarked, cheerily, to
his Belgian colleague: "Rather fine singing, isn’t it?"
Public-domain text, read in full here on John Shaqi.
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