When an express rushed through, the whole structure shook and clouds of white steam blotted out everything. It was when the steam was clearing away, and the roar of the receding train was dying down, that Anthony noticed another local running in to the Withstead platform. He bent over the rail and watched the passengers get out—just a handful. There was a young woman with two children, two farmers, three or four nondescript women, and a big man with a suit-case. Anthony looked at the big man and went on looking at him. Something about him seemed vaguely familiar. The man came along the platform and began to mount the steps that led up to the bridge. Half-way up he put down his suit-case, took off his hat for a moment as if to cool himself, and stood there looking up. Then he replaced his hat, shifted the suit-case to the other hand, and came up the rest of the steps. He seemed hot. He passed Anthony and went down the steps on to the London platform. Anthony followed him. When the big man stood still and looked up, eight years were suddenly wiped out. Memory is a queer thing, and plays queer tricks. What Anthony’s memory did was to set him down in the year 1912, in the gallery of a hall in Chicago. There was a packed and rather vociferous audience. There was a big man on the platform, a big man who seemed hot. His speech was, in fact, of a sufficiently inflammatory nature to make any one feel hot. It breathed fire and fury. Its rolling eloquence must have involved a good deal of physical exertion. Suddenly, after a period, the speaker stopped and looked up at the gallery for applause. It came like a veritable cyclone. The meeting was subsequently broken up by the police. Anthony remembered that the speaker’s name was Molloy. If Mr. Molloy had come from Withstead, it occurred to Anthony that his destination would probably be of interest. The London train was due in ten minutes. When it came in, Molloy got into a third-class carriage, and Anthony followed his example. It was at seven-thirty on Sunday morning that Mrs. March’s cook, who was sweeping the hall, was given what she afterwards described as a turn by the arrival of an odd-looking man who would give no name and insisted on seeing her master. “Awful he looked with that ’orrid scar and his ’air that wild, and not giving me a chance to shut the door in his face, for he pushes in the moment I got it open—that’s what give me the worst turn of all—and walks into the dining-room as bold as brass, and says, ‘I want to see Captain March—and be quick, please.’” When Henry came into the dining-room he shut the door behind him very quickly and looked as if he also had had a turn. “Good Lord, Tony, what’s happened?” he said. “Nothing,” said Anthony, with nonchalance. “Then in Heaven’s name, why are you here?” “I’m through, that’s all. You can’t say I didn’t give notice.” “It’s not a question of what I say, it’s what Piggy’ll say.”