More than one third of the constellation figures thus appear to have a close connection with some of the chief incidents recorded in the first ten chapters of Genesis as having taken place in the earliest ages of the world's history. If we include the Hare and the two Dogs as adjuncts of Orion, and the Cup as well as the Raven with Hydra, then no fewer than twenty-two out of the forty-eight are directly or indirectly so connected. But the constellation figures only deal with a very few isolated incidents, and these are necessarily such as lend themselves to graphic representation. The points in common with the Genesis narrative are indeed striking, but the points of independence are no less striking. The majority of the constellation figures do not appear to refer to any incidents in Genesis; the majority of the incidents in the Genesis narrative find no record in the sky. Even in the treatment of incidents common to both there are differences, which make it impossible to suppose that either was directly derived from the other. But it is clear that when the constellations were devised,--that is to say, roughly speaking, about 2,700 B.C.,--the promise of the Deliverer, the "Seed of the woman" who should bruise the serpent's head, was well known and highly valued; so highly valued that a large part of the sky was devoted to its commemoration and to that of the curse on the serpent. The story of the Flood was also known, and especially the covenant made with those who were saved in the ark, that the world should not again be destroyed by water, the token of which covenant was the "Bow set in the cloud." The fourfold cherubic forms were known, the keepers of the way of the tree of life, the symbols of the presence of God; and they were set in the four parts of the heaven, marking it out as the tabernacle which He spreadeth abroad, for He dwelleth between the cherubim. CHAPTER III THE STORY OF THE DELUGE Beside the narrative of the Flood given to us in Genesis, and the pictorial representation of it preserved in the star figures, we have Deluge stories from many parts of the world. But in particular we have a very striking one from Babylonia. In the _Epic of Gilgamesh_, already alluded to, the eleventh tablet is devoted to an interview between the hero and Pir-napistim, the Babylonian Noah, who recounts to him how he and his family were saved at the time of the great flood. This Babylonian story of the Deluge stands in quite a different relation from the Babylonian story of Creation in its bearing on the account given in Genesis. As we have already seen, the stories of Creation have practically nothing in common; the stories of the Deluge have many most striking points of resemblance, and may reasonably be supposed to have had a common origin. Prof. Friedrich Delitzsch, in his celebrated lectures _Babel and Bible_, refers to this Babylonian Deluge story in the following terms:--