The Athelings; or, the Three Gifts. CompleteOliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Complete
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
When an old gentleman came to their table, and startled them a little by
turning over the picture-books. He was an ancient beau--the daintiest of
old gentlemen--with a blue coat and a white waistcoat, and the most
delicate of ruffles. His hair--so much as he had--was perfectly white,
and his high bald forehead, and even his face, looked like a piece of
ivory curiously carved into wrinkles. He was not by any means a handsome
old man, yet it was evident enough that this peculiar look and studied
dress belonged to a notability, whose coat and cambric, and the great
shining diamond upon whose wrinkled ashen-white hand, belonged to his
character, and were part of himself. He was an old connoisseur, critic,
and fine gentleman, with a collection of old china, old jewels, rare
small pictures, and curious books, enough to craze the whole dilettanti
world when it came to the prolonged and fabulous sale, which was its
certain end. And he was a connoisseur in other things than silver and
china. He was somewhat given to patronising young people; and the common
judgment gave him credit for great kindness and benignity. But it was
not benignity and kindness which drew Mr Agar to the side of Agnes and
Marian. Personal amusement was a much more prevailing inducement than
benevolence with the dainty old dilettante. They were deceived, of
course, as youth is invariably; for despite the pure selfishness of the
intention, the effect, as it happened, was kind.
Mr Agar began a conversation by remarking upon the books, and drew forth
a shy reply from both; then he managed gradually to change his
position, and to survey the assembled company along with them, but with
his most benign and patriarchal expression. He was curious to hear in
words those comments which Agnes constantly made with her eyes; and he
was pleased to observe the beauty of the younger sister--the perfect
unconscious grace of all her movements and attitudes. They thought they
had found the most gracious of friends, these simple girls; they had not
the remotest idea that he was only a connoisseur.
“Then you do not know many of those people?” said Mr Agar, following
Agnes’s rapid glances. “Ah, old Lady Knightly! is that a friend of
yours?”
“No; I was thinking of the old story of ‘Thank you for your Diamonds,”
said Agnes, who could not help drawing back a little, and casting down
her eyes for the moment, while the sound of her own voice, low as it
was, brought a sudden flush to her cheek. “I did not think diamonds had
been so pretty; they look as if they were alive.”
“Ah, the diamonds!” said the old critic, looking at the unconscious
object of Agnes’s observation, who was an old lady, wrinkled and
gorgeous, with a leaping, twinkling band of light circling her
time-shrivelled brow. “Yes, she looks as if she had dressed for a
masquerade in the character of Night--eh? Poor old lady, with her lamps
of diamonds! Beauty, you perceive, does not need so many tapers to show
its whereabouts.”
Public-domain text, read in full here on John Shaqi.
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