The Athelings; or, the Three Gifts. CompleteOliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Complete
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
The best room was not by any means so bright, so cheerful, or so kindly
as the family parlour, with its family disarrangement, and the amateur
paperhanging upon its walls. Before their guests arrived the girls made
an effort to improve its appearance. They pulled the last beautiful
bunches of the lilac to fill the little glass vases, and placed candles
in the ornamental glass candlesticks upon the mantelpiece. But even a
double quantity of light did not bring good cheer to this dull and
solemn apartment. Had it been winter, indeed, a fire might have made a
difference; but it was early summer--one of those balmy nights so sweet
out of doors, which give an additional shade of gloom to
dark-complexioned parlours, shutting out the moon and the stars, the
night air and the dew. Agnes and Marian, fanciful and visionary, kept
the door open themselves, and went wandering about the dark garden,
where the summer flowers came slowly, and the last primrose was dying
pale and sweet under the poplar tree. They went silently and singly, one
after the other, through the garden paths, hearing, without observing,
the two different footsteps which came to the front door. If they were
thinking, neither of them knew or could tell what she was thinking
about, and they returned to the house without a word, only knowing how
much more pleasant it was to be out here in the musical and breathing
darkness, than to be shut closely within the solemn enclosure of the
best room.
But there, by the table where Marian had maliciously laid his paper, was
the stately appearance of Mr Endicott, holding high his abstracted head,
while Harry Oswald, anxious, and yet hesitating, lingered at the door,
eagerly on the watch for the light step of which he had so immediate a
perception when it came. Harry, who indeed had no great inducement to be
much in love with himself, forgot himself altogether as his quick ear
listened for the foot of Marian. Mr Endicott, on the contrary, added a
loftier shape to his abstraction, by way of attracting and not
expressing admiration. Unlucky Harry was in love with Marian; his
intellectual cousin only aimed at making Marian in love with _him_.
And she came in, slightly conscious, we admit, that she was the heroine
of the night, half aware of the rising rivalry, half-enlightened as to
the different character of these two very different people, and of the
one motive which brought them here. So a flitting changeable blush went
and came upon the face of Marian. Her eyes, full of the sweet darkness
and dew of the night, were dazzled by the lights, and would not look
steadily at any one; yet a certain gleam of secret mischief and
amusement in her face betrayed itself to Harry Oswald, though not at all
to the unsuspicious American. She took her seat very sedately at the
table, and busied herself with her fancy-work. Mr Endicott sat opposite,
looking at her; and Harry, a moving shadow in the dim room, hovered
about, sitting and standing behind her chair.
Public-domain text, read in full here on John Shaqi.
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