The Athelings; or, the Three Gifts. Vol. 2/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 2/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
They went in accordingly under a low round-arched doorway, solemn and
ponderous, entirely unconscious of the “tressured ornament” which
antiquaries came far to see; and, looking with a certain awe at the
heavy and solemn arches of the little old Saxon church, were rather more
personally attracted, we are pained to confess, by a group of gentlemen
within the sacred verge of the chancel, discussing something with
solemnity and earnestness, as if it were a question of life and death.
Foremost in this group, but occupying, as it seemed, rather an
explanatory and apologetic place, and listening with evident anxiety to
the deliverance of the others, was a young man of commanding appearance,
extremely tall, with a little of the look of ascetic abstraction which
belongs to the loftier members of the very high High Church. As the
Athelings approached rather timidly under the escort of their humble
guide, this gentleman eyed them, with a mixture of observation and
haughtiness, as they might have been eyed by the proprietor of the
domain. Then he recognised Mr Atheling with such a recognition as the
same reigning lord and master might bestow upon an intruder who was only
mistaken and not presumptuous. The father of the family rose to the
occasion, his colour increased; he drew himself up, and made a formal
but really dignified bow to the young clergyman. The little group of
advisers did not pause a minute in their discussion; and odd words,
which they were not in the habit of hearing, fell upon the ears of Agnes
and Marian. “Bad in an archaic point of view--extremely bad; and I never
can forgive errors of detail; the best examples are so accessible,” said
one gentleman. “I do not agree with you. I remember an instance at
Amiens,” interrupted another. “Amiens, my dear sir!--exactly what I mean
to say,” cried the first speaker; “behind the date of Winterbourne a
couple of hundred years--late work--a debased style. In a church of this
period everything ought to be severe.”
Public-domain text, read in full here on John Shaqi.
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