The Athelings; or, the Three Gifts. Vol. 2/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 2/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
And accordingly there were severe Apostles in the painted windows--those
slender lancet “lights” which at this moment dazzled the eyes of Agnes
and Marian; and the new saints in the new little niches were, so far as
austerity went, a great deal more correct and true to their “period”
than even the old saints, without noses, and sorely worn with weather
and irreverence, who were as genuine early English as the stout old
walls. But Marian Atheling had no comprehension of this kind of
severity. She shrunk away from the altar in its religious gloom--the
altar with its tall candlesticks, and its cloth, which was stiff with
embroidery--marvelling in her innocent imagination over some vague
terror of punishments and penances in a church where “everything ought
to be severe.” Marian took care to be on the other side of her father
and mother, as they passed again the academic group discussing the newly
restored sedilia, which was not quite true in point of “detail,” and
drew a long breath of relief when she was safely outside these dangerous
walls. “The Rector! that was the Rector. Oh Agnes!” cried Marian, as
Papa announced the dreadful intelligence; and the younger sister,
horror-stricken, and with great pity, looked sympathetically in Agnes’s
face. Agnes herself was moved to look back at the tall central figure,
using for a dais the elevation of that chancel. She smiled, but she was
a little startled--and the girls went on to the village, and to glance
through the trees at the great park surrounding the Hall, with not
nearly so much conversation as at the beginning of their enterprise. But
it was with a sigh instead of a laugh that Marian repeated, when they
went home to dinner and Hannah’s magnificent pudding--“So, Agnes, we
have seen them both.”
CHAPTER XVII.
THE CLERGY.
Public-domain text, read in full here on John Shaqi.
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