The Athelings; or, the Three Gifts. Vol. 3/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 3/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
And here Agnes pursued her vocation, making very little demonstration of
it, the main pillar for the mean time, and crowning glory of her
father’s house. Her own mind and imagination had been profoundly
impressed, almost in spite of herself, by that last known act of
Lionel’s--his hasty journey to London with Doctor Serrano. It was the
kind of act beyond all others to win upon a temperament so generous and
sensitive, which a more ostentatious generosity might have disgusted and
repelled; and perhaps the very uncertainty in which they remained
concerning him kept up the lurking “interest” in Agnes Atheling’s heart.
It was possible that he might appear any day at their very doors; it was
possible that he never might be seen again. It was not easy to avoid
speculating upon him--what he was thinking, where he was?--and when, in
that spontaneous delight of her young genius, which yet had suffered no
diminution, Agnes’s thoughts glided into impersonation, and fairy
figures gathered round her, and one by one her fables grew, in the midst
of the thread of story--in the midst of what people called, to the young
author’s amusement, “an elaborate development of character, the result
of great study and observation”--thoughts came to her mind, and words to
her lip, which she supposed no one could thoroughly understand save
_one_. Almost unconsciously she shadowed his circumstances and his story
in many a bright imagination of her own; and contrasted with the real
one half-a-dozen imaginary Lionels, yet always ending in finding him the
noblest type of action in that great crisis of his career. It blended
somehow strangely with all that was most serious in her work; for when
Agnes had to speak of faith, she spoke of it with the fervour with which
one addresses an individual, opening her heart to show the One great
Name enshrined in it to another, who, woe for him, in his wanderings so
sadly friendless, knew not that Lord.
So the voice of the woman who dwelt at home went out over the world; it
charmed multitudes who thought of nothing but the story it told,
delighted some more who recognised that sweet faulty grace of youth,
that generous young directness and simplicity which made the fable
truth. If it ever reached to one who felt himself addressed in it, who
knew the words, the allusions, that noble craft of genius, which,
addressing all, had still a private voice for one--if there was such a
man somewhere, in the desert or among the mountains far away, wandering
where he seldom heard the tongue of his country, and never saw a face he
recognised, Agnes never knew.
Public-domain text, read in full here on John Shaqi.
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