The Athelings; or, the Three Gifts. Vol. 3/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 3/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
Yet the household felt, in spite of itself, a difference by no means
agreeable between the Old Wood Lodge and Bellevue. The dull brick wall
of Laurel House was not nearly so pleasant to look upon as that great
amphitheatre with its maze of wan waters and willow-trees, where the
sunshine flashed among the spires of Oxford; neither was Miss Willsie,
kind and amusing as she was, at all a good substitute for Miss
Anastasia. They had Louis, it was true, but Louis was in love, and
belonged to Marian; and no one within their range was at all to be
compared to the Rector. Accustomed to have their interest fixed, after
their own cottage, upon the Old Wood House and Winterbourne Hall, they
were a little dismayed, in spite of themselves, to see the meagreness
and small dimensions even of Killiecrankie Lodge. It was a different
world altogether--and they did not know at the first glance how to make
the two compatible. The little house in the country, now that they had
left it, grew more and more agreeable by comparison. Mrs Atheling forgot
that she had thought it damp, and all of them, Mamma herself among the
rest, began to think of their return in spring.
And as the winter went on, Agnes made progress with her fable. She did
not write it carefully, but she did write it with fervour, and the haste
of a mind concerned and in earnest. The story had altered considerably
since she first thought of it. There was in it a real heir whom nobody
knew, and a supposed heir, who was the true hero of the book. The real
heir had a love-story, and the prettiest _fiancée_ in the world; but
about her hero Agnes was timid, presenting a grand vague outline of him,
and describing him in sublime general terms; for she was not at all an
experienced young lady, though she was an author, but herself regarded
her hero with a certain awe and respect and imperfect understanding, as
young men and young women of poetic conditions are wont to regard each
other. From this cause it resulted that you were not very clear about
the Sir Charles Grandison of the young novelist. Her pretty heroine was
as clear as a sunbeam; and even the Louis of her story was definable,
and might be recognised; but the other lay half visible, sometimes
shining out in a sudden gleam of somewhat tremulous light, but for the
most part enveloped in shadow: everybody else in the tale spoke of him,
thought of him, and were marvellously influenced by him; but his real
appearances were by no means equal to the importance he had acquired.
Public-domain text, read in full here on John Shaqi.
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