SARAH. Aye. It's a 'ard life, the factory 'and's. A can mind me
many an' many's the time when th' warnin' bell went on th'
factory lodge at ha'f past five of a winter's mornin' as A've
craved for another ha'f hour in my bed, but Tom 'e got me oop an'
we was never after six passin' through factory gates all th'
years we were wed. There's not many as can say they were never
late. "Work or clem," that were what Tom allays tould me th' ould
bell were sayin'. An' 'e were reeght, Emma. "Work or clem" is
God's truth. (EMMA'S _head in box._) An' now th' time's coom when A
can't work no more. But Parson's a good man, 'e'll mak' it all
reeght. (EMMA'S _head appears._) Eh, it were good o' thee to coom
in, lass. A bit o' coompany do mak' a world o' difference. A'm
twice as cheerful as A were.
EMMA. A'm glad to 'ear tha say so, Mrs. Ormerod. (_Rises from the
box._) Is theer owt else?
SARAH. A were thinkin' A'd like to tak' my black silk as A've
worn o' Sundays this many a year, but A canna think it's reeght
thing for workus.
EMMA. Oh, thee tak' it, Mrs. Ormerod.
SARAH. A'd dearly love to. Tha sees A'm noan in debt, nobbut what
chairs an table 'ull payfor, and A doan't like thowt o' leaving
owt as A'm greatly fond of.
EMMA. Yo doan't, Mrs. Ormerod. Thee tak' it. Wheer is it? A'll
put un in. Theer's lots o'room on top. A'll see un's noan
crushed.
SARAH. It's hanging theer behind door. (EMMA _crosses back to
door, gets clothes._) A got un out to show Parson. A thowt A'd ask
un if it were proper to tak' it if A've to go. My best bonnet's
with it, an' all.
(EMMA _goes below table, takes the frock and bonnet, folds it on
the table, and packs it._)
EMMA. A'll put un in.
SARAH. A'm being a lot o' trouble to thee, lass.
EMMA. That's nowt; neighbors mun be neighborly.
(_Gets bonnet from table and packs it._)
SARAH (_after a pause, looking round_). Place doan't look much, an'
that's a fact. Th' furniture's bin goin' bit by bit, and theer
ain't much left to part wi' now.
EMMA. Never mind; it 'ull be all reeght now Parson's takken thee
oop.
SARAH. A'm hopin' so. A _am_ hopin' so. A never could abide
th' thowt o' th' workus--me as 'as bin an 'ard-workin' woman. A
couldn't fancy sleepin' in a strange bed wi' strange folk round
me, an' when th' Matron said, "Do that," A'd 'ave to do it, an'
when she said, "Go theer," A'd 'ave to a' gone wheer she tould
me--me as 'as allays 'eld my yead 'igh an' gone the way A pleased
masel'. Eh, it's a terrible thowt, the workus.
EMMA (_rising_). Now tha's sure that's all?
SARAH (_after a pause, considers_). Eh, if A havna forgot my
neeghtcaps. (_Rises, moves centre and stops._) A suppose they'll
let me wear un in yonder. A doan't reeghtly think as A'd get my
rest proper wi'out my neeghtcaps.
EMMA. Oh, they'll let thee wear un all reeght.
SARAH (_as she goes_). A'll go an' get un. (_Exit right, returning
presently with the white nightcaps._) That's all now.
(_Gives them to_ EMMA _who meets her at centre._)
Public-domain text, read in full here on John Shaqi.
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