THE CRITICS: Dramatic critics furiously condemn a play at the Abbey Theatre in Dublin. Gradually we discover the idea of the play through their abuse, and at last we recognize it. Maunsell. JANE CLEGG: A strong and clear-sighted, honest woman has to deal with a feeble and braggart husband whose foolish crime threatens to wreck her own and her children's lives. Sidgwick and Jackson. +Rachel Lyman Field+ THREE PILLS IN A BOTTLE: Fantastic play of a little sick boy who gives the medicine that was to have made him strong to feeding the starved and abused souls of various passers-by. In _Plays of the 47 Workshop_, First Series, Brentano's. +Anatole France+ THE MAN WHO MARRIED A DUMB WIFE: A mad and comic farce, in the tradition of _Pierre Patelin_ and _The Physician in Spite of Himself_. Judge Botal calls in a learned physician and his aides to make his dumb wife speak. The result is so astoundingly successful that he pleads for relief. Finally a desperate remedy is found. Translated by Curtis Hidden Page, Lane, 1915. +J.O. Francis+ CHANGE: The tragic conflict of ideals of two generations which have grown irreparably apart in social and economic views. Educational Publishing Company, Cardiff; Doubleday, New York. +Zona Gale+ THE NEIGHBORS: Kindliness called forth among village people to aid a poor seamstress who is to undertake the care of her orphan nephew. In _Wisconsin Plays, First Series_, B.W. Huebsch. MISS LULU BETT: A starved life blossoms suddenly and unexpectedly. This play, winner of the Pulitzer Prize for 1920, is stronger and finer work than the author has done heretofore. Appleton (in novel form). +John Galsworthy+ THE ELDEST SON: Sir William Cheshire comes to quite different solutions of similar problems when different individual and class factors enter into them. Scribner's. JUSTICE: Mr. Ludwig Lewisohn writes: "The economic structure of society on any basis requires the keeping of certain compacts. It cannot endure such a breaking of these compacts as Falder is guilty of when he changes the figures on the cheque. Yet by the simple march of events it is overwhelmingly proven that society here stamps out a human life not without its fair possibilities-- for eighty-one pounds." Scribner's. THE LITTLE MAN: Brilliant caricature of various national types of tourist, and absurd apotheosis of the Little Man, of no particular nation and of insignificant appearance, who proves quietly capable of doing what the rest discuss. Scribner's. THE MOB: The reply of the hysterical and "patrioteering" members of his own class, and of the many-headed rage, to a man who stood against an unjust war. Scribner's. THE PIGEON: A discussion of social misfits and mavericks, with, of course, no attempted panacea or solution. Scribner's. THE SILVER Box: "Jones: Call this justice? What about 'im? 'E got drunk! 'E took the purse--'E took the purse, but (_in a muffled shout_) it's 'is money got '_im_ off! _Justice_!