Whether this large catholicism, this worship of heroes, is the best of what now remains of religion on earth is certainly questionable enough; and if we regard it in no other light than merely as an idolatry of persons, there is an easy answer ready for it. But considering that religion is now so far dead that it consists in little else than formalities, and that its divine truth is no longer such to half the great world, which lies, indeed, in dire atrophy and wickedness,--and if we further consider and agree that the awakened human soul is the divinest thing on earth, and partakes of the divine nature itself, and that its manifestations are also divine in whomsoever it is embodied, we can see some apology for its adoption; inasmuch as it is the divine likeness to which reverence and homage are rendered, and not the person merely, but only so far as he is the medium of its showing. Christianity, however, will assuredly survive, although doubtless in a new form, preserving all the integrity of its message,--and be once more faith and life to men, when the present old, established, decaying cultus shall be venerated only as history. Carlyle clings to the Christian formulary and the old Christian life in spite of himself. He is almost fanatical in his attachment to the mediaeval times,--to the ancient worship, its ceremonial, music, and architecture, its monastic government, its saints and martyrs. And the reason, as he shows in the "Past and Present," is, that all this array of devotion, this pomp and ceremony, this music and painting, this gorgeous and sublime architecture, this fasting and praying, were _real_,--faithful manifestations of a religion which to that people was truly genuine and holy. They who built the cathedrals of Europe, adorned them with carvings, pictures, and those stately windows with their storied illuminations which at this day are often miracles of beauty and of art, were not frivolous modern conventicle-builders, but poets as grand as Milton, and sculptors whose genius might front that of Michel Angelo. It was no dead belief in a dead religion which designed and executed these matchless temples. Man and Religion were both alive in those days; and the worship of God was so profound a prostration of the inmost spirit before his majesty and glory, that the souls of the artists seem to have been inspired, and to have received their archetypes in heavenly visions. Such temples it is neither in the devotion nor the faculty of the modern Western world to conceive or construct. Carlyle knows all this, and he falls back in loving admiration upon those old times and their worthies, despising the filigree materials of which the men of to-day are for the most part composed. He revels in that picture of monastic life, also, which is preserved in the record of Jocelyn de Brakelonde. He sees all men at work there, each at his proper vocation;--and he praises them, because they fear God and do their duty.