It would be easy to collect a library of lamentations over the mechanical tendency of our age. There are, in fact, a good many people who profess a profound contempt for matter, though they do nevertheless patronize the butcher and the baker to the manifest detriment of the sexton. Matter and material interests, they would have us believe, are beneath the dignity of the soul; and the degree to which these "earthly things" now absorb the attention of mankind, they think, argues degeneracy from the good old times of abstract philosophy and spiritual dogmatism. But what do we better know of the Infinite Spirit than that he is an infinite mechanic? Whence do we get worthier or sublimer conceptions of him than from the machinery with which he works? Are we ourselves less godlike building mills than sitting in pews?--less in the image of our Maker, endeavoring to subdue matter than endeavoring to ignore its existence? Without questioning that the moral nature within us is superior to the mechanical, we think it quite susceptible of proof that the moral condition of the world depends on the mechanical, and that it has advanced and will advance at equal pace with the progress of machinery. To prove this, or anything else, however, is by no means the purpose of this article, but only to take the general reader around a little among mechanical people and ideas, to see what lies ahead. "Papa, what are you going to make?" was doubtless the question of Tubal-Cain's little boy, when he saw his ingenious father hammering a red-hot iron, with a stone for a hammer, and another for an anvil. Little boys have often since asked the same question in blacksmiths' shops, and we now have shops in which the largest boys may well ask it. It might be answered in a general way, that the smiths or smiters, black and white, were and are going to make what our Maker left unmade in making the human race. The lower animals were all sent into the world in appropriate, finished, and well-fitting costume, provided with direct and effective means of subsistence and defence. The eagle had his imperial plumage, beak, and talons; the elephant his leathern roundabout and travelling trunk, with its convenient air-pump; and the beaver, at once a carpenter and a mason, had his month full of chisels and his tail a trowel. The _bipes implumis_, on the contrary, was hatched nude, without even the embryo of a pin-feather. There was nothing for him but the recondite capabilities of his two talented, but talonless hands, and a large brain almost without instinct. Nothing was ready-made, only the means of making. He was brought into the infinite world a finite deity, an infinitesimal creator,--the first being of that class, to our knowledge. His most urgent business as a creator was to make tools for himself, and especially for the purpose of supplying his own pitiful destitution of feathers. From the aprons of fig-leaves, stitched hardly so-so, to the last patent sewing-machine, he has