The Atlantic Monthly, Volume 02, No. 08, June 1858: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 02, No. 08, June 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
Among the favorite subjects from the Old Testament are four from the
life of Moses,--his taking off his shoes at the command of the Lord,
his exhibiting the manna to the people, his receiving the tables of
the Law, and his striking the rock in the desert. Of these, the first
and the last are most common, and the truths which they were
intended to typify seem to have been most dwelt upon. Moses was
regarded in the ancient Church as the type, in the old dispensation,
of our Saviour in the new. Thus as the narrative of the command to
Moses to take off his shoes was immediately connected with the
promise of the deliverance of the children of Israel from the land
of bondage, so it was regarded as the figure under which was to be
seen the promise of the greater deliverance of the world through
faith in Jesus Christ, and its freedom from spiritual bondage.
Moreover, the shoes were put off, "for the place whereon thou
standest is holy ground"; and it is a natural supposition to regard
the act as having been considered the symbol of that Holiness to the
Lord which was the necessary preparation for the great deliverance.
Like so many other of the paintings, it led forward the thoughts and
the affections from time to eternity. And this figure was also, we
may well suppose, taken as an immediate type of the Resurrection, in
connection with the words of Jesus, "Now that the dead are raised
even Moses showed at the bush, when he calleth the Lord" (or, as it
should be translated, "when, in telling you of the bush, he says
that the Lord called himself") "the God of Abraham, and the God of
Isaac, and the God of Jacob. For God is not the God of the dead, but
of the living." With this interpretation, it affords another
instance of the constancy with which the Christians connected the
thought of immortality with the presence of death.
Public-domain text, read in full here on John Shaqi.
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