of the sweetness of religion; the stag, of the soul thirsting for the Lord; the cock, of watchfulness; the horse, of the course of life; the lamb, of the Saviour himself. Many of these symbols were, it is plain, derived from the Scripture, but many also had a heathen origin, and were adopted by the Christians with a new or an additional significance. It was not strange that this should be so, for many associations still bound the Christians of the early centuries to the things they had turned away from. Thus, the horse is frequently found upon the funeral vases and marbles of the ancients; the peacock, the bird of Juno, was the emblem of the apotheosis of the Roman empresses; the palm and the crown had long been in use; and the funeral genii of the heathen Romans were in some sort the type of the later Christian angels. But although this adoption of ancient symbols is to be noticed, it is also to be observed that there is in the Christian cemeteries on the whole a remarkable absence of heathen imagery,--less by far than might have been expected in the works of those surrounded by heathen modes of thought and expression. The influence of Christianity, however, so changed the current of ideas, and so affected the feelings of those whom it called to new life, that heathenism became to them, as it were, a dead letter, devoid of all that could rouse the fancy, or affect the inner thought. A great gulf was fixed between them and it,--a gulf which for three centuries, at least, charity alone could bridge over. It was not till near the fourth century that heathenism began, to any marked extent, to modify the character and to corrupt the purity of Christianity.