The Atlantic Monthly, Volume 02, No. 09, July, 1858: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 02, No. 09, July, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
Having got up a small fire with the assistance of the chips and scraps of
wood that were plentifully scattered around, I placed my snow-shoes one on
top of the other, and sat down on them,--a sort of preparatory step in my
transition to civilization, for they had somewhat the effect of a cane-
bottomed chair minus the legs and without a back. Then I filled my short
black pipe from the seal-skin tobacco-pouch, the contents of which had so
often assuaged my troubled spirit when I brooded over griefs which _then_
were immature, if not imaginary. It was a very pleasant smoke, I
recollect,--so pleasant, that I rather congratulated myself upon my
position; the only drawback to it being that I was shut out from a view of
the town, as the wind and drift rendered it indispensable for comfort in
smoking that I should keep strictly to leeward of my bulwark. Tobacco is
notoriously a promoter of reflection; there must be something essentially
retrospective in the nature of the weed. I retired upon the days of my
boyhood, my legs and feet becoming clairvoyant of the corduroys and
highlows of that happy period of my existence, as the revolving curls of
pale smoke exhibited to me, with marvellous fidelity, many quaint
successive _tableaux_ of the old familiar scenes of home,--sentimental,
some of them,--comic, others,--like the domestic incidents revealed with
exaggerations on the hazy field of a magic-lantern. I thought of my poor
mother, and of the excellent parting advice she gave me,--but more
particularly of the night-caps with strings, which she extracted such a
solemn promise from me to wear carefully every night in all climates, and
which, on the second evening of my sojourn in barracks, were so
unceremoniously reduced to ashes in a noisy _auto-da-fé_. These
retrospective pictures were succeeded by others of more modern date,
coming round in a progressive series, until I had painted myself up to
within a few weeks of my present position, the foreground of my existence.
Then I remembered promises made by me of contributions to a certain
album,--further contributions,--for I had already furnished several pages
of it with food for mind and eye in the form of melancholy verses and
"funny" sketches, with brief dramatic dialogues beneath the latter, to
elucidate the "story." I particularly recollected having volunteered a
translation or imitation of a pretty song in Ruy Blas; and as the fit was
upon me, I produced my pocketbook, to commit to paper a version of it
which I had mentally devised. The leaves of my book were all filled,
however; some with memoranda,--a sort of savage diary it was,--some with
sketches of scenes in the wilderness: there was not a corner vacant.
Turning towards the planking of my bulwark, I perceived that it was
smoothly planed and clean, and to work on it I went, pencil in hand. First
I wrote "Zosime MacGillivray," in several different styles of chirography,
flourished and plain, and even in old text. Then I sketched out a rough
Public-domain text, read in full here on John Shaqi.
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