The Atlantic Monthly, Volume 02, No. 12, October, 1858: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 02, No. 12, October, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
To Goethe the legendary literature of his nation had been familiar from
his boyhood. Very early in life, and several years before the
publication of Maler Müller's spirited drama, his mind was powerfully
impressed by the Faust-fable, and the greater part of the present
fragmentary poem was already written and ready for print when Müller's
first sketch, under the title, "Situations in the Life of Dr. Faustus,"
appeared (1776). As the entire poetry of Goethe was more or less
_autobiographical_,--that is, as all his poetical productions reflect,
to a certain extent, his own personal sensations, trials, and
experiences,--he fused himself and his inner life into the mould of
Faustus, with all his craving for knowledge, his passionate love of
Nature, his unsatisfied longings and powerful temptations, adhering
closely in all external action to the popular story, though of course
in a symbolic spirit Goethe had, as he tells us himself, a happy
faculty of delivering himself by poetical production, as well of all
the partly imaginary, partly morbid cares and doubts which troubled his
mind, as of the real and acute sufferings which tormented him, for a
certain period, even to agony. Love, doubt, sorrow, passion,
remorse--all found an egress from his soul into a poem, a novel, a
parable, a dramatic character, or some other form of poetical
expression. He felt as if eased of a burden, after having thus given
his feelings body and shape. Thus his works became his history.
"Faust," in its two parts, is the production of his lifetime. Conceived
in early youth, worked out in manhood, completed in old age, it became
a vehicle for all the various commotions of his existence. There is no
other poem which contains such a diversity of thought and feeling, such
a variety of sentences, pictures, scenes, and situations. For enlarging
on the poetical value of this incomparable work this is not the place.
Closely as Goethe has followed up the popular legend, it is
emphatically and entirely his own production, because it contains his
complete self.
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