The Atlantic Monthly, Volume 03, No. 16, February, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 16, February, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
In the "Two Gentlemen of Verona," (Act iii. Sc. 1,) Mr. White prefers,
"She is not to be fasting in respect of her breath," to "She is not to
be _kissed_ fasting in respect of her breath,"--an emendation made by
Rowe,[F] and found also in Mr. Collier's Corrected Folio of 1632. We
cannot agree with him in a reading which seems to us to destroy all the
point of the passage.
[Footnote F: Mr. Dyce says the word supplied by Rowe was "fasting," a
manifest slip of the pen, and worth notice only as showing how easily
errors may be committed.]
In Dumain's ode, (_Love's Labor's Lost_, Act iv. Sc. 3,) beginning,
"On a day, (alack the day!)
Love, whose month is ever May,"
Mr. White chooses to read
"Thou, for whom Jove would swear
Juno but an Ethiop were,"
rather than accept Pope's suggestion of "ev'n Jove," or the far better
"great Jove" of Mr. Collier's Corrected Folio,--affirming that "the
quantity and accent proper to 'thou' make any addition to the line
superfluous." We should like to hear Mr. White read the verse as he
prints it. The result would be something of this kind:--
Thou-ou for whom Jove would swear,--
which would be like the 'bow-wow-wow before the Lord' of the old
country-choirs. To our ear it is quite out of the question; and,
moreover, we affirm that in dissyllabic (which we, for want of a better
name, call iambic and trochaic) measures the omission of a half-foot
is an impossibility, and all the more so when, as in this case, the
preceding syllable is strongly accented. Even had the poem been meant
for singing, which it was not, for Dumain reads it, the quantity would
be false, though the ear might more easily excuse it. Such an omission
would be not only possible, but sometimes very effective, in trisyllabic
measures,--as, for instance, in anapests like these,--
"'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock,"--
where iambs or spondees may take the place of the first or second foot
with no shock to the ear, though the change of rhythm be sensible
enough,--as
'Tis th[)e] d[=e][=e]p midnight by the castle clock,
And [)o]wls have awakened the crowing cock.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account