The Atlantic Monthly, Volume 03, No. 17, March, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 17, March, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
The strength and the intelligence of Dante's love of Art are shown in
many beautiful passages and allusions in the "Divina Commedia." There
was something of universality, not only in his imagination, but also in
his acquisitions. Of the sources of learning which were then open, there
was not one which he had not visited; of the fountains of inspiration,
not one out of which he had not drunk. All the arts--poetry, painting,
sculpture, and music--were alike dear to him. His Canzoni were written
to be sung; and one of the most charming scenes in the great poem is
that in which is described his meeting with his friend Casella, the
musician, who sang to him one of his own Canzoni so sweetly, that "the
sweetness still within me sounds."[K]
[Footnote K: This Canzone, to the exposition of which the third Trattato
of the _Convito_ is devoted, has been inimitably translated by the
Reverend Charles T. Brooks. We believe it to be the happiest version
of one of Dante's minor poems that exists in our language,--and every
student of the poet will recognize the success with which very great
difficulties have been overcome. It appeared in the _Crayon_, for
February, 1853.]
"Dante took great delight in music, and was an excellent draughtsman,"
says Aretino, his second biographer; and Boccaccio reports, that in his
youth he took great pleasure in music, and was the friend of all the
best musicians and singers of his time. There is, perhaps, in the
whole range of literature, no nobler homage to Art than that which is
contained in the tenth and twelfth cantos of the "Purgatory," in which
Dante represents the Creator himself as using its means to impress the
lessons of truth upon those whose souls were being purified for the
final attainment of heaven. The passages are too long for extract, and
though their wonderful beauty tempts us to linger over them, we must
return to the course of the story of Dante's life as it appears in the
concluding pages of the "New Life."
Many months had passed since Beatrice's death, when Dante happened to
be in a place which recalled the past time to him, and filled him with
grief. While standing here, he raised his eyes and saw a young and
beautiful lady looking out from a window compassionately upon his sad
aspect. The tenderness of her look touched his heart and moved his
tears. Many times afterwards he saw her, and her face was always full
of compassion, and pale, so that it reminded him of the look of his own
most noble lady. But at length his eyes began to delight too much in
seeing her; wherefore he often cursed their vanity, and esteemed
himself as vile, and there was a hard battle within himself between the
remembrance of his lady and the new desire of his eyes.
Public-domain text, read in full here on John Shaqi.
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