The Atlantic Monthly, Volume 03, No. 18, April, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 18, April, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
The singers of longer ballads carry about with them sometimes a series
of rudely-executed illustrations of different incidents in the story,
painted in distemper and pasted on a large pasteboard frame, which is
hung against a wall or on a stand planted behind the singer in the
ground. These he pauses now and then in his song to explain to the
audience, and they are sure to draw a crowd.
As summer comes on and the evenings grow warm, begin the street
serenades,--sometimes like that of Lindoro in the opening of the
"Barbiere di Sevilla," but generally with only one voice, accompanied by
a guitar and a mandolin. These serenades are, for the most part, given
by a lover or friend to his _innamorata_, and the words are expressive
of the tender passion; but there are also _serenate di gelosia_, or
satirical serenades, when the most impertinent and stinging verses are
sung. Long before arriving, the serenaders may be heard marching up the
street to the thrum of their instruments. They then place themselves
before the windows of the fair one, and, surrounded by a group of men
and boys, make proclamation of their love in loud and often violent
tones. It seems sometimes as if they considered the best method of
expressing the intensity of their passion was by the volume of their
voice. Certainly, in these cases, the light of love is not hidden under
a bushel. Among the Trasteverini, particularly, these serenades are
common. Some of them are very clever in their improvisations and
imitations of different dialects, particularly of the Neapolitan, in
which there are so many charming songs. Their skill in improvisation,
however, is not generally displayed in their serenades, but in the
_osterias_, during the evenings of the _festas_ in summer. There it is
that their quickness and epigrammatic turn of expression are best seen.
Two disputants will, when in good-humor and warmed with wine, string off
verse after verse at each other's expense, full of point and fun,--the
guitar burring along in the intervals, and a chorus of laughter saluting
every good hit.
Public-domain text, read in full here on John Shaqi.
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