My dear Madam, is not that just what you did, yourself, after having turned off three or four fascinating young sinners as good as James any day? Don't make us believe that you are sorry for it now! "Is it possible," says Dr. Theophrastus, who is himself a stanch Hopkinsian divine, and who is at present recovering from his last grand effort on Natural and Moral Ability,--"is it possible that you are going to let Mary forget that poor young man and marry Dr. H.? That will never do in the world!" Dear Doctor, consider what would have become of you, if some lady at a certain time had not had the sense and discernment to fall in love with the _man_ who came to her disguised as a theologian. "But he's so old!" says Aunt Maria. Not at all. Old? What do you mean? Forty is the very season of ripeness,--the very meridian of manly lustre and splendor. "But he wears a wig." My dear Madam, so did Sir Charles Grandison, and Lovelace, and all the other fine fellows of those days; the wig was the distinguishing mark of a gentleman. No,--spite of all you may say and declare, we do insist that our Doctor is a very proper and probable subject for a young lady to fall in love with. If women have one weakness more marked than another, it is towards veneration. They are born worshippers,--makers of silver shrines for some divinity or other, which, of course, they always think fell straight down from heaven. The first step towards their falling in love with an ordinary mortal is generally to dress him out with all manner of real or fancied superiority; and having made him up, they worship him. Now a truly great man, a man really grand and noble in heart and intellect, has this advantage with women, that he is an idol ready-made to hand; and so that very painstaking and ingenious sex have less labor in getting him up, and can be ready to worship him on shorter notice. In particular is this the case where a sacred profession and a moral supremacy are added to the intellectual. Just think of the career of celebrated preachers and divines in all ages. Have they not stood like the image that "Nebuchadnezzar the king set up," and all womankind, coquettes and flirts not excepted, been ready to fall down and worship, even before the sound of cornet, flute, harp, sackbut, and so forth? Is not the faithful Paula, with her beautiful face, prostrate in reverence before poor, old, lean, haggard, dying St. Jerome, in the most splendid painting of the world, an emblem and sign of woman's eternal power of self-sacrifice to what she deems noblest in man? Does not old Richard Baxter tell us, with delightful single-heartedness, how his wife fell in love with him first, spite of his long, pale face,--and how she confessed, dear soul, after many years of married life, that she had found him _less_ sour and bitter than she had expected?