The Atlantic Monthly, Volume 03, No. 19, May, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 19, May, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
However, as we have already intimated, it is seldom that his authorities
are submitted to this "ordeal," which we admit to be a trying one.
Usually they are informed that their assertions "rest on air,"--that
they are "foolish" and "baseless,"--"wild figments," or "intolerable
nonsense." Cortés states that some of his men, who had been taken
prisoners by the Mexicans, were offered up as sacrifices to the Aztec
deities. Mr. Wilson, after telling that their hearts were cut out, and
their bodies "tumbled to the ground," complains that "to this most
probable act of an Indian enemy, is _foolishly_ added--it was done in
sacrifice to their idols, though the very existence of Indian idols is
_still_ problematical!" Cortés, who had seen too many Indian idols to
entertain any doubts of their existence, ought, nevertheless, not
to have mentioned them, because to Mr. Wilson the matter is still a
problem. Whenever that gentleman finds it inconvenient to "reduce" the
statements of the Spanish historians to "realities," he omits them
altogether. Thus, he says not a word of those fearful spectacles which
struck horror to the hearts of the Spaniards in their visit to the
_teocallis_,--the pyramidal mound garnished with human skulls, the
hideous idols and the blood-stained priests, the chapels drenched with
gore, and other evidences of a diabolical worship. Not unfrequently he
fills up what he considers as gaps in the ordinary narratives. Thus,
he pictures the dying Cuitlahua as "stoically wrapping himself in
his feathered mantle," and "rejoicing at his expected welcome to the
celestial hunting-grounds," where he "felt that he was worthy a name
among the immortal braves." This "wild figment" from Mr. Wilson's
"fertile fancy" was, perhaps, suggested by Theobald's famous emendation
in the description of Falstaff's death-scene,--"a babbled o' green
fields." On such occasions, Mr. Wilson explains that he is relating
the occurrences "as they are understood by one familiar with Indian
affairs." A remarkable example of this method of narration shall close
our citations from his work.
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