The Atlantic Monthly, Volume 03, No. 19, May, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 19, May, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
"Mr. Seddon's works," says Mr. Ruskin, "are the first which represent
a truly historic landscape Art; that is to say, they are the first
landscapes uniting perfect artistical skill with topographical
accuracy,--being directed with stern self-restraint to no other purpose
than that of giving to persons who cannot travel trustworthy knowledge
of the scenes which ought to be most interesting to them. Whatever
degrees of truth may have been attempted or attained by previous artists
have been more or less subordinate to pictorial or dramatic effect. In
Mr. Seddon's works, the primal object is to place the spectator, as far
as Art can do, in the scene represented, and to give him the perfect
sensation of its reality, wholly unmodified by the artist's execution."
Mr. Ruskin's judgment will not be questioned by those who have seen
Seddon's pictures. But it might also be added, that such accuracy as he
attained is by no means the result of mere laborious and conscientious
copying, but implies and requires the possession of strong and
well-balanced imagination.
We trust that the extracts we have given may lead lovers of Art to read
the whole of the little volume from which they are taken.
_Passages from my Autobiography_. By SYDNEY, LADY MORGAN. New York: D.
Appleton & Co. 1859.
Aged sportiveness is not seductive, and we do not become slaves at the
tap of a fan, when the hand that holds it is palsied and withered. We
have in the volume before us the melancholy spectacle of an aged female
of quality setting her cap at everybody.
When an old woman makes up her mind to be young, she invariably overdoes
it. The gypsy horse-dealers, when they have a particularly ancient horse
to dispose of administer a nostrum to the animal, which has the effect
of keeping him continually in motion, and bestowing on him a temporary
vivacity which a colt would hardly exhibit. Lady Morgan is unnecessarily
frisky. The gypsy's horse, when the effect of the medicine has passed
off, becomes more aged and infirm than ever. What a terrible reaction
must have been the lot of this old lady, after all the capers she had
cut in these passages from her autobiography!
Public-domain text, read in full here on John Shaqi.
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