The Atlantic Monthly, Volume 03, No. 19, May, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 19, May, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
Alice was not familiar with such people; but she shrank from her by
instinct, as the first chicken fled from the first hawk. The landlady,
on her part, was equally suspicious, and, finding that Alice had no
relatives to depend upon, and that she expected to earn her own living,
was not at all solicitous to increase the number of her boarders.
"It's pootty hard to tell who's who, now-a-days," she said. "I have to
pay cash for all I set on the table, and I can't trust to fair promises.
Perhaps, though, you've got some _cousin_ that looks arter your bills?"
The flute-player exchanged knowing glances with the seamstresses.
All-unconscious of the taunt, Alice simply replied,--
"No, I have told you that I have no one to depend upon."
The landlady's mouth was primly set, and she merely exclaimed,--
"Oh! indeed!"
"I think I'll look further," said Alice. "Good-morning."
"Good-morning."
Half-suppressed chuckles followed her, as she left the room. Sorely
grieved and indignant, she took her way to another house. Fortune this
time favored her. The landlady, a kind-hearted woman, was in mourning
for her only daughter, and with the first words she heard she felt
her heart drawn to the lovely and soft-voiced stranger. Without any
offensive inquiries, Alice was at once received, and an upper room
assigned to her. After sending for her trunk, she dressed for dinner.
The table presented specimens of all the familiar characters of
boarding-house life. There was the lawyer, sharp, observant, talkative,
ready for a joke or an argument. There was the solemn man of business,
who ate from a sense of duty, and scowled at the lawyer's bad puns. Near
him, with an absurdly youthful wig and opaque goggles, sat the Unknown;
his name, occupation, resources, and tastes alike a profound mystery.
Several dapper clerks, whose right ears drooped from having been used as
pen-racks, wearing stunning cravats, _outré_ brooches and shirt-studs,
learned in the lore of "two-forty" driving, were ranged opposite. Then
there was the jolly widow, who was the admiration of men of her own age,
but who cruelly gave all her smiles to the boys with newly-sprouting
chins. Near her sat the fastidious man, whose nostrils curled ominously
when any stain appeared on his napkin, or when anything sullied the
virgin purity of his own exclusive fork. His spectacles seemed to serve
as microscopes, made for the sole purpose of detecting some fatal speck
invisible to other eyes. There was the singer, with a neck like
a swan's, bowing with the gracious air that is acquired in the
acknowledgment of bouquets and _bravas_. The artist was her _vis-à-vis_,
powerful like Samson in his bushy locks, negligent with fore-thought,
wearing a massive seal-ring, and fragrant with the perfume of countless
pipes. The nice old maid near him turns away in disgust when she sees
his moustaches draggle in the soup.
Public-domain text, read in full here on John Shaqi.
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