The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and PoliticsVarious
Religion
The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
The stout old gentleman, with a bald
forehead and an irascibly rosy face, takes it often in another
way,--confounds the fellows for their impertinence, has serious notions,
first, of knocking them down on the spot, and then of calling the
police, but finally concludes to take no notice of them, as they are
nothing but _Eye_-talians, who cannot be expected to know how to behave
themselves in a rational manner. Sometimes a _santa elemosina_ is
demanded after the oddest fashion. It was only yesterday that I met one
of the _confraternità_, dressed in a shabby red suit, coming up the
street, with the invariable oblong tin begging-box in his hand,--a
picture of Christ on one side, and of the Madonna on the other. He went
straight to a door, opening into a large, dark room, where there was a
full cistern of running water, at which several poor women were washing
clothes, and singing and chatting as they worked. My red acquaintance
suddenly opens the door, letting in a stream of light upon this
Rembrandtish interior, and, lifting his box with the most wheedling of
smiles, he says, with a rising inflection of voice, as if asking a
question,--"_Prezioso sangue di Gesù Christo?_"--( Precious blood of
Jesus Christ?)
The last, but by no means the meanest, of the tribe of pensioners whom I
shall mention, is my old friend, "Beefsteak,"--now, alas! gone to the
shades of his fathers. He was a good dog,--a mongrel, a Pole by
birth,--who accompanied his master on a visit to Rome, where he became
so enamored of the place that he could not be persuaded to return to his
native home. Bravely he cast himself on the world, determined to live,
like many of his two-legged countrymen, upon his wits. He was a dog of
genius, and his confidence in the world was rewarded by its
appreciation. He had a sympathy for the arts. The crowd of artists who
daily and nightly flocked to the Lepre and the Caffè Greco attracted his
notice. He introduced himself to them, and visited them at their studios
and rooms. A friendship was struck between them and him, and he became
their constant visitor and their most attached ally. Every day, at the
hour of lunch, or at the more serious hour of dinner, he lounged into
the Lepre, seated himself in a chair, and awaited his friends, confident
of his reception. His presence was always hailed with a welcome, and to
every new comer he was formally presented. His bearing became, at last,
not only assured, but patronizing. He received the gift of a
chicken-bone or a delicate titbit as if he conferred a favor. He became
an epicure, a _gourmet_. He did not eat much; he ate well. With what a
calm superiority and gentle contempt he declined the refuse bits a
stranger offered from his plate! His glance, and upturned nose, and
quiet refusal, seemed to say,--"Ignoramus! know you not I am Beefsteak?"
His dinner finished, he descended gravely, and proceeded to the Caffè
Greco, there to listen to the discussions of the artists, and to partake
Public-domain text, read in full here on John Shaqi.
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