The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and PoliticsVarious
Religion
The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
"Be quiet, Bill, can't you?" interposed the other man. "Don't you see
he's drunk? you'll have the Devil to pay, if you cross a drunk Dimock!"
But Abner had not heard the first speaker; he was too much occupied with
tying his wife's arms to the chair,--a proceeding she could nowise
interfere with, since his heavy foot was set upon her dress so as to
hold her own feet in helpless fixedness. He proceeded to take the ring
from her finger, and, searching through a box of various contents that
stood in one corner, extracted from it a delicate steel chain, finely
wrought, but strong as steel can be; then, at the forge, with sundry
tools, carefully chosen and skilfully used, he soldered one end of the
chain to the ring, and, returning to his wife, placed it again upon her
finger.
"Here, Bill," growled he, "where's that padlock off the tool-chest, eh?
give it here! This woman's a fool,--ha, ha, ha!--she wanted to get away
from me, and she's my wife!"
Another peal of dissonant laughter interrupted the words.
"What a d----d good joke! I swear I haven't laughed before, this dog's
age! And then she was goin' to rid herself of the ring! as if that would
help it! Why, there's the promise in black and white,--'love, honor, and
obey,'--'I take thee, Abner,'--ha, ha! that's good! But fast bind, fast
find; she a'n't going to get rid of the ring. I'll make it as tight as
the promise; both of 'em 'll last to doomsday. Give me the padlock, you
scoundrel!"
Bill, the man he addressed, knew too much to hesitate after the savage
look that sent home the last words,--and, drawing from a bag of tools
and dies a tiny padlock and key, he handed them to Dimock, who passed
the chain about Hitty's thin white wrist, and, fastening it with the
padlock, turned the key, and, withdrawing it from the lock, dropped it
into the silvery heat of the forge, and burst into a fit of laughter, so
savage and so inhuman that the bearded lips of his two comrades grew
white with horror to hear the devil within so exult in his possession of
a man.
Hitty sat, statue-like, in her chair; stooping, the man unbound her, and
she rose slowly and steadily to her feet, looking him in the face.
"Look!" said she, raising her shackled arm high in air,--"I shall carry
it to God!"--and so fled, up the broken stairway, out into the
moonlight, across the meadow,--the three men following fast,--over the
fallen boughs that winter had strewn along the shore, out under the
crooked elm, swift as light, poising on the stern of the boat, that had
swung out toward the channel,--and once more lifting her hand high into
the white light, with one spring she dropped into the river, and its
black waters rolled down to the sea.
THE END OF ALL.
Wandering along a waste
Where once a city stood,
I saw a ruined tomb,
And in that tomb an urn,--
A sacred funeral-urn,
Without a name or date,
And in its hollow depths
A little human dust!
Public-domain text, read in full here on John Shaqi.
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