The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and PoliticsVarious
Religion
The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
So great is the general similarity of the notes of these two birds, that
those of the Quail need only to be repeated several times in succession,
without pause, to be mistaken for those of the Whippoorwill. They are
uttered with similar intonations; but the voice of the nocturnal bird is
more harsh, and his song consists of three notes instead of two.
The song of the Whippoorwill, though wanting in mellowness of tone, as
may be perceived when he is only a short distance from us, is to most
people very agreeable, notwithstanding the superstitions associated with
it. Some persons are not disposed to rank the Whippoorwill among
singing-birds, regarding him as more vociferous than musical. But it
would be difficult to determine in what respect his notes differ from
the songs of other birds, except that they approach more nearly to the
precision of artificial music. Yet it will be admitted that considerable
distance is required to "lend enchantment" to the sound of his voice. In
some retired and solitary districts, the Whippoorwills are often so
numerous as to be annoying by their vociferations; but in those places
where only two or three individuals are heard during the season, their
music is the source of a great deal of pleasure, and is a kind of
recommendation to the place.
I was witness of this, some time since, in one of my botanical rambles
in the town of Beverly, which is, for the most part, too densely
populated to suit the habits of these solitary birds. On one of these
excursions, after walking several hours over a rather unattractive
region, I arrived at a very romantic spot, known by the unpoetical name
of Black Swamp. Nature uses her most ordinary materials to form her most
delightful landscapes, and often keeps in reserve prospects of
enchanting beauty, and causes them to rise up, as it were, by magic,
where we should least expect them. Here I suddenly found myself
encompassed by a charming amphitheatre of hills and woods, and in a
valley so beautiful that I could not have imagined anything equal to it.
A neat cottage stood alone in this spot, without a single architectural
decoration, which I am confident would have dissolved the spell that
made the whole scene so attractive. It was occupied by a shoemaker, whom
I recognized as an old acquaintance and a worthy man, who resided here
with his wife and children. I asked them if they could live contented so
far from other families. The wife of the cottager replied, that they
suffered in the winter from their solitude, but in the spring and summer
they preferred it to the town,--"for in this place we hear all the
singing-birds, early and late, and the Whippoorwill sings here every
night during May and June." It was the usual practice of these birds,
they told me, to sing both in the morning and the evening twilight; but
if the moon rose late in the evening, after they had become silent, they
would begin to sing anew, as if to welcome her rising. May the birds
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