The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and PoliticsVarious
Religion
The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
The Woodcock does not commonly venture abroad in the open day, unless he
be disturbed and driven from his retreats. He makes his first appearance
here in the latter part of April, and at this season we may observe that
soaring habit which renders him one of the picturesque objects of
Nature. This soaring takes place soon after sunset, continues during
twilight, and is repeated at the corresponding hour in the morning. If
you listen at this time near the places of his resort, he will soon
reveal himself by a lively peep, frequently uttered, from the ground.
While repeating this note, he may be seen strutting about, like a
turkey-cock, with fantastic jerkings of the tail and a frequent bowing
of the head; and his mate, I believe, is at this time not far off.
Suddenly he springs upward, and with a wide circular sweep, uttering at
the same time a rapid whistling note, he rises in a spiral course to a
great height in the air. At the summit of his ascent, he hovers about
with irregular motions, chirping a medley of broken notes, like
imperfect warbling. This continues about ten or fifteen seconds, when it
ceases, and he descends rapidly to the ground. We seldom hear him while
in his descent, but receive the first intimation of it by hearing a
repetition of his peep, resembling the sound produced by those minute
wooden trumpets sold at the German toy-shops.
No person could watch this playful flight of the Woodcock without
interest; and it is remarkable that a bird with short wings and
difficult flight should be capable of mounting to so great an altitude.
It affords me a vivid conception of the pleasure with which I should
witness the soaring and singing of the Skylark, known to me only by
description. I have but to imagine the chirruping of the Woodcock to be
a melodious series of notes, to feel that I am listening to that bird,
which is so familiarized to our imaginations by English poetry that in
our early days we always expect his greetings with a summer sunrise. It
is with sadness that we first learn in our youth that the Skylark is not
an inhabitant of the New World; and our mornings seem divested of a
great portion of their charms, for the want of this poetical
accompaniment.
There is another circumstance connected with the habits of the Woodcock
which increases his importance as an actor in the melodrame of Nature.
When we stroll away from the noise and din of the town, where the
stillness permits us to hear distinctly all those faint sounds which are
turned by the silence of night into music, we may hear at frequent
intervals the hum produced by the irregular flights of the Woodcock, as
he passes over short distances in the wood, where he is collecting his
repast. It resembles the sound of the wings of Doves, rendered distinct
by the stillness of all other things, and melodious by the distance.
There is a feeling of mystery attached to these musical nights that
yields a savor of romance to the quiet voluptuousness of a summer
evening.
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