The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and PoliticsVarious
Religion
The Atlantic Monthly, Volume 04, No. 22, August, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
Though his imitations are the cause of his notoriety, they are not the
utterances upon which his true merit is based. He would be infinitely
more valuable as a songster, if he were incapable of imitating a single
sound. I would add, that as an imitator of the songs of other birds he
is very imperfect, and in this respect has been greatly overrated by our
ornithologists, who seem to vie with one another in their exaggerations
of his powers. He cannot utter the notes of the rapid singers; he is
successful only in his imitations of those birds whose notes are simple
and moderately delivered. He is, indeed, more remarkable for his
indefatigable propensity than for his powers. Single sounds, from
whatever source they may come, from birds, quadrupeds, reptiles, or
machines, he gives very accurately; but I have heard numbers of
Mocking-Birds in confinement attempt to imitate the Canary, and always
without success. There is a common saying, that the Mocking-Bird will
die of chagrin, if placed in a cage by the side of a caged Bobolink,
mortified because he cannot give utterance to his rapid notes. If this
were the cause of his death, he would also die when caged in a room with
a Canary, a Goldfinch, or any of the rapidly singing Finches. It is also
an error to say of his imitations, as the generality of writers assert,
that they are improvements upon the originals. When he utters the notes
of the Red-Bird, the Golden Robin, or the Common Robin, he does not
improve them; and when he gives us the screaming of the Jay or the
mewing of the Cat, he does not change them into music.
As an original songster, judging him by what he is capable of
performing, however unfrequently he may exercise his powers to the best
advantage, the Mocking-Bird is probably equalled only by two or three of
our singing-birds. His notes are loud, varied, melodious, and of great
compass. They may be compared to those of the Red Thrush, more rapidly
delivered, and having more flute notes and fewer guttural notes and
sudden transitions. He also sings on the wing and with fervor, like the
Linnet, while the other Thrushes sing only from their perch. But his
song has less variety than that of the Red Thrush, and falls short of it
in as many respects as it surpasses it. For the greater part of the
time, the only notes of the Mocking-Bird, when he is not engaged in
mimicry, are a sort of melodious whistle, consisting of two notes about
a fourth apart, uttered in quick, but not rapid, succession, and hardly
to be distinguished from those of the Red-Bird of Virginia.
Public-domain text, read in full here on John Shaqi.
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