The Atlantic Monthly, Volume 04, No. 25, November, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 04, No. 25, November, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
The sense of humor must surely exist in individual dogs; otherwise it
would puzzle me to account for the singular practical jokes played off
by a water-spaniel once possessed by me. This individual, whose name
was Muff, was a rather small-sized one, of the pure Kentish blood;
liver-colored, with a white ring on his neck, and white paws;
close-curled, wicked-eyed, deep-chested, and remarkably powerful for
his size. Professionally a retriever,--and one of great promise,
although never fully tested with the gun,--his leisure hours, which
included every one in the twenty-four, were passed in the invention and
perpetration of curiously regulated mischiefs, with all of which he
took pains to combine an element of the ludicrous. His great spree was
to run amuck into a flock of small children coming out of school. If
there was a dirty crossing hard by, over which they had to pass, he
would wait until they had got half-way, and then, going through them
like a rocket, would chuck them down into the mud, right and left, as
he sped, keeping straight on in his career until far beyond range of
pedagogue's rod. His trick of making a sudden rush at the heels of
unsuspecting persons--and he invariably selected the right sort for his
purpose--might often have got me into ugly scrapes, but for the tact
with which he invariably ignored his master on such occasions. If
pursued, he never came near me for protection, but fled wildly on,
assuming the character of a dog "on the loose," belonging to nobody in
particular, and quite able to take care of himself. He had a decided
objection to street industrials in general, including Italian
organ-grinders and image-sellers. Once I saw him crouching stealthily
after one of the latter, who was passing through an open square with a
tray of casts upon his head; and before I could get up a whistle or
call him off by name, he had darted like a javelin at the legs of the
refugee, startling him so much out of the perpendicular that the
superstructure of plastic art came to the ground with a crash,
top-dressing the sterile soil of the Campus Martius with a coat of
manufactured plaster of Paris. Marius, blubbering over the shattered
chimney-stacks of Carthage, could not have displayed a more touching
classical spectacle than did that modern Roman lamenting to and fro
among the fragments of his collapsed martyrs and ruined saints; nor
were his pangs fully assuaged even by the application of the universal
panacea to an amount more than double the value of his lost wares.
Public-domain text, read in full here on John Shaqi.
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