The Atlantic Monthly, Volume 04, No. 25, November, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 04, No. 25, November, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
"He went home for a visit to England, and there he had this picture
painted by the court-painter of those days, and brought it back with
him as a present to his wife.
"He was father of many children, mostly girls: and finally died in a
very dignified and respectable manner, full of years and honors,--as
they say in storybooks.
"His handsome property, being divided so often, made but rather small
portions for the children, and several of the daughters died unmarried.
"Then the family began to decay, and each succeeding head of the family
found it a harder struggle to keep up the old hospitalities and the
traditional style of living. They died out, too. The lateral branches
of the family-tree never flourished, and one after another came to an
end, till about forty years ago the remnant of the family-blood and the
family-name was centred in two cousins, a young man and a girl. They
met at the funeral of the girl's mother, and found in a short
conversation that they were the sole representatives of the old name,
alive.
"They married, gloomily helping on the fate which awaited them, by
uniting their two threads of life in one, that thus she might sever it
more easily. I was their only child, and they named me Ichabod,--'the
glory has departed.'
"It is a sad proof of how deeply the bitterness of life had entered
their souls, that, even in the supreme moment when they clasped their
first-born in their arms, the name which rose from heart to lip, and
which they bestowed upon him, was in itself a cry of anguish and
despair.
"The husband soon died. Man breaks, woman bends, beneath the crushing
weight of such a life. My mother lived, a dark and silent woman, till
five years ago. Then she died, too, and I inherited my ancestor's
portrait and the curse of the Withringtons.
"I tried to work, to earn my bread, as men all about me were doing. But
no,--the fate was upon me, the curse pursued me. Everything failed
which I attempted. I sunk lower and lower, until the name and the
picture, which had been my pride, became a shame and a reproach to me.
I abandoned the one and concealed the other, resolved to reveal neither
until the moment arrived when death should wipe out the squalor of
life, conquer fate, and expiate the curse.
"Quick, Faith, quick! The hour has come. Take the knife you just
held,--cut the canvas from its frame,--cut it in fragments,--lay it on
the blazing fire. We will perish together,--the First and--the Last."
"Nay, Ichabod, give it to me," said Faith, shrinking from the proposed
holocaust "I will always keep it, and value it."
"Would you see me fall dead at your feet, while attempting to do for
myself what you refuse to do for me?" asked the dying man, with
feverish ardor, and half rising, as if to leave his bed.
"No, no,--I will do it, since it must be so," exclaimed Faith, eagerly.
"Lie down again and watch me."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account