The Atlantic Monthly, Volume 04, No. 25, November, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 04, No. 25, November, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
This poor little man's appeal to my humanity against the supposed
rapacity of Science, which he feared would have her "specimen," if his
ghost should walk restlessly a thousand years, waiting for his bones to
be laid in the dust, touched my heart. But I felt bound to speak
cheerily.--We won't die yet awhile, if we can help it,--I said,--and
I trust we can help it. But don't be afraid; if I live longest, I will
see that your resting-place is kept sacred till the dandelions and
buttercups blow over you. He seemed to have got his wits together by
this time, and to have a vague consciousness that he might have been
saying more than he meant for anybody's ears.--I have been talking a
little wild, Sir, eh?--he said.--There is a great buzzing in my head
with those drops of yours, and I doubt If my tongue has not been a
little looser than I would have it, Sir. But I don't much want to live.
Sir; that's the truth of the matter; and it does rather please me to
think that fifty years from now nobody will know that the place where I
lie doesn't hold as stout and straight a man as the best of 'em that
stretch out as if they were proud of the room they take. You may get me
well, if you can, Sir, if you think it worth while to try; but I tell
you there has been no time for this many a year when the smell of fresh
earth was not sweeter to me than all the flowers that grow out of it.
There's no anodyne like your good clean gravel, Sir. But if you can
keep me about awhile, and it amuses you to try, you may show your skill
upon me, if you like. There is a pleasure or two that I love the
daylight for, and I think the night is not far off, at best.--I believe
I shall sleep now; you may leave me, and come, if you like, in the
morning. Before I passed out, I took one more glance round the
apartment. The beautiful face of the portrait looked at me, as
portraits often do, with a frightful kind of intelligence in its eyes.
The drapery fluttered on the still outstretched arm of the tall object
near the window;--a crack of this was open, no doubt, and some breath
of wind stirred the hanging folds. In my excited state, I seemed to see
something ominous in that arm pointing to the heavens. I thought of the
figures in the Dance of Death at Basle, and that other on the panels of
the covered Bridge at Lucerne; and it seemed to me that the grim mask
who mingles with every crowd and glides over every threshold was
pointing the sick man to his far home, and would soon stretch out his
bony hand and lead him or drag him on the unmeasured journey towards
it. The fancy had possession of me, and I shivered again as when I
first entered the chamber. The picture and the shrouded shape; I saw
only these two objects. They were enough. The house was deadly still,
and the night-wind, blowing through an open window, struck me as from a
field of ice, at the moment I passed into the creaking corridor. As I
turned into the common passage, a white figure, holding a lamp, stood
full before me.
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