The Atlantic Monthly, Volume 04, No. 26, December, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 04, No. 26, December, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
"Muffins, if you please," said she, and so sweetly that I was blinded
to the absence of sugar in my second cup of coffee.
I was confused by this incident. Many men would have concealed their
disquietude by an affectation of sudden appetite, or by bullying the
waiter, or by abrupt departure from the scene. I did neither. I felt I
had a right to be confused, and I gloried in it.
Very soon Miss Tarlingford withdrew, and I experienced an aching void
within, which chops and fritters had no power to replenish.
I opened a chambermaid's heart with a half-dollar, and the treasures of
her knowledge were revealed to me. The beauty and her party were to
remain a fortnight Among her companions there were no males, except a
youthful irresponsibility. _Exultemus!_
Later in the morning I heard the tinkling of the parlor pianoforte.
Music has soothing charms for me, though I have not a savage breast. I
drew near, and found Miss Tarlingford trifling with the keys,--those
keys which lock together so many chains of human sympathy. She rose,
and gave out demonstrations of impending disappearance. I interposed,--
"Pray, continue. I am famished for music, and came specially to
listen."
"It is hardly worth while."
"How can you say so? It is I who know best what I need."
"I will play for you, then."
And she did. This was wonderful. Usually, a long and painful struggle
precedes feminine acquiescence, on such occasions. Repeated refusals,
declarations of incapacity, partial consent vouchsafed and then
waywardly withdrawn, poutings, head-tossings, feebler murmurs of
disinclination, and final reluctant yielding form the fashionable order
of proceeding. The charm of it all is, that the original intention is
the same as the ultimate action. Whence, then, this folly? Having been
many times wretchedly bored by this sort of thing, I was now
correspondingly gladdened by the contrast.
Miss Tarlingford played well, and I said so.
"Pretty well," she answered, frankly; "but not so well as I could
wish."
Shock Number Two. It is customary in good society for tolerable
performers to disavow all praises, (secretly yearning for more,) and to
assail with invective their own artistic accomplishments. Here was a
young lady who played well, and had the hardihood to acknowledge it.
This rather took away my breath, and a vacuum began to come under my
waistcoat.
For three blissful days Miss Tarlingford and I were seldom separated.
Her sister, a pale, sedate maiden, of amiable appearance, and her
brother, a small, rude boy, of intrusive habits and unguarded speech, I
consented to undergo, for the sake of conventional necessity. To the
mother of the Tarlingfords additional respect seemed due, and was
accorded.
Public-domain text, read in full here on John Shaqi.
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