The Atlantic Monthly, Volume 05, No. 28, February, 1860: A Magazine of Literature, Art, and PoliticsVarious
Philosophy
The Atlantic Monthly, Volume 05, No. 28, February, 1860: A Magazine of Literature, Art, and Politics
Various
American periodicals
I knew all this, as I say. I dreaded and hated it. I hate it now. But I
had to work, and this was the only way open to me; so I tried to be
brave, and to do what I ought, and let the rest go. I cannot say I am
very brave yet, or that I don't feel all this; but I do not memorialize
against it, because it is necessary to be borne, and I must bear it.
When I go to the dentist's to have a tooth out, I sit down, and hold the
chair tight, and open my mouth as wide as it will open, but I always
say, "Oh! don't, doctor! I can't! I can't possibly!" till the iron
what-d'you-call-it enters my soul and stops my tongue.
Yes, when I began to write, I knew I should some day see my name in
print. I knew people would wonder who and what I was, and how I
looked;--I had done it myself. I knew that I should be delivered over to
be the prey of tongues and the spoil of eyes. I was aware, I think, I am
aware now, of every possible "disagreeable" that can befall the state. I
am accustomed to hear people say, if I venture a modest opinion about a
dinner, "Dear me! as if a literary woman knew anything about
cooking!"--I endure that meekly, sustained by the inner consciousness
that I _can_ cook much better than any artist in that line I ever yet
encountered. Likewise I am used to hear people say, "I suppose you don't
waste your valuable time in sewing?" when a look at my left forefinger
would insure me a fraternal grip from any member of the Seamstress's
Friends Society anywhere. I do not either scold or cry when accidentally
some visitor discovers me fitting my dress or making my bonnet, and
looks at me with a "fearful joy," as if I were on a tight-rope. I even
smile when people lay my ugly shawl or _passe_ bonnet, that I bought
because they were cheap, and wear for the same reason, at the door of
the "eccentricities of genius." And I am case-hardened to the
instantaneous scattering and dodging of young men that ensue the moment
I enter a little party, because "gentlemen are so afraid of literary
women." I don't think gentlemen are; I know two or three who never
conceal a revolver in the breast of their coat when they talk to me, and
who sometimes even offer to go home with me from a tea-party all alone,
and after dark too. It is true, one or two of these are "literary"
themselves; the others I knew before I was dyed blue; which may account
for it. Also I am impervious to anonymous letters, exhorting me to all
kinds of mental and moral improvement, or indulging in idle
impertinences about my private affairs, the result of a knowledge about
me and the aforesaid affairs drawn solely from my "Pieces in Prose and
Verse."
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