am perfectly aware that there are differences of opinion. Let me, then, beg you to remain in Rome during the mouth of May, if you can possibly make your arrangements to do so. May is the month of the Madonna, and on every _festa_-day you will see at the corners of the streets a little improvised shrine, or it may be only a festooned print of the Madonna hung against the walls of some house or against the back of a chair, and tended by two or three children, who hold out to you a plate, as you pass, and beg for charity, sometimes, I confess, in the most pertinacious way,--the money thus raised to be expended in oil for the lamps before the Madonna shrines in the streets. The monasteries of nuns are also busy with processions and celebrations in honor of "the Mother of God," which are carried on pleasantly within their precincts and seen only of female friends. Sometimes you will meet a procession of ladies outside the gates following a cross on foot, while their carriages come after in a long file. These are societies which are making the pilgrimage of the Seven Basilicas outside the Walls. They set out early in the morning, stopping in each basilica for a half-hour to say their prayers, and return to Rome at Ave Maria. Life, too, is altogether changed now. All the windows are wide open, and there is at least one head and shoulders leaning out at every house. And the poorer families are all out on their door-steps, working and chatting together, while their children run about them in the streets, sprawling, playing, and fighting. Many a beautiful theme for the artist is now to be found in these careless and characteristic groups; and curly-headed Saint Johns may be seen in every street, half naked, with great black eyes and rounded arms and legs. It is this which makes Rome so admirable a residence for an artist. All things are easy and careless in the out-of-doors life of the common people,--all poses unsought, all groupings accidental, all action unaffected and unconscious. One meets Nature at every turn,--not braced up in prim forms, not conscious in manners, not made up into the fashionable or the proper, but impulsive, free, and simple. With the whole street looking on, they are as unconscious and natural as if they were where no eye could see them,--ay, and more natural, too, than it is possible for some people to be, even in the privacy of their solitary rooms. They sing at the top of their lungs as they sit on their door-steps at their work, and often shout from house to house across the street a long conversation, and sometimes even read letters from upper windows to their friends below in the street. The men and women who cry their fruits, vegetables, and wares up and down the city, laden with baskets or panniers, and often accompanied by a donkey, stop to chat with group after group, or get into animated debates about prices, or exercise their wits and lungs at once in repartee in a very amusing way.