We do not always agree with Mr. Norton in his estimate of the comparative merit of different artists. We think he sometimes makes Mr. Ruskin's mistake of attributing to positive religious sentiment what is rather to be ascribed to the negative influence of circumstances and date. We cannot help thinking that the mere arrangement of their figures by such painters as Cima da Conegliano and Francesco Francia, the architectural regularity of their disposition, the sculpturesque dignity of their attitudes, and the consequent impression of simplicity and repose which they convey, have much to do with the religious effect they produce on the mind, as contrasted with the more dramatic and picturesque conceptions of later artists. When we look at John Bellino's "Gods come down to taste the Fruits of the Earth," we cannot think him essentially a more religious man than his great pupil who painted that truly divine countenance of Christ in "The Tribute-Money." At the same time we go along with Mr. Norton heartily, where, in the concluding pages of his book, with equal learning and eloquence, he points out the causes and traces the progress of the moral and artistic decline which came over Italy in the sixteenth century, and whose effect made the seventeenth almost a desert. This is one of the most striking passages in the volume, and the lesson of it is brought home to us with a force and fervor worthy of the theme. It also affords a good type of the quiet vigor of thought and the high moral purpose which are characteristic of the author. 1. _An American Dictionary of the English Language,_ etc., etc. By NOAH WEBSTER, LL. D. Revised and enlarged by CHAUNCEY A. GOODRICH, Professor in Yale College. Springfield, Mass.: G. & C. Merriam. 1859. pp. ccxxxvi., 1512. 2. _A Dictionary of the English Language._ By JOSEPH E. WORCESTER, LL. D. Boston: Hickling, Swan, & Brewer. 1860. pp. lxviii,, 1786. Since the famous Battle of the Books in St. James's Library, no literary controversy has been more sharply waged than that between the adherents of the rival Dictionaries of Doctors Worcester and Webster. The attack was begun thirty years ago, by Dr. Webster's publishers, when Dr. Worcester's "Comprehensive Dictionary" first appeared in print. On the publication of his "Universal and Critical Dictionary," in 1846, it was renewed, and, not to speak of occasional skirmishes during the interval, the appearance of Dr. Worcester's enlarged and finished work brought matters to the crisis of a pitched battle.