The Atlantic Monthly, Volume 05, No. 31, May, 1860: A Magazine of Literature, Art, and PoliticsVarious
Philosophy
The Atlantic Monthly, Volume 05, No. 31, May, 1860: A Magazine of Literature, Art, and Politics
Various
American periodicals
Slow clarion cries now wound from the distance as the cocks caught the
intelligence of day and reechoed it faintly from farm to farm,--sleepy
sentinels of night, sounding the foe's invasion, and translating that
dim intuition to ringing notes of warning. Still she chanted on. A
remote crash of brushwood told of some other beast on his depredations,
or some night-belated traveller groping his way through the narrow
path. Still she chanted on. The far, faint echoes of the chanticleers
died into distance,--the crashing of the branches grew nearer. No wild
beast that, but a man's step,--a man's form in the moonlight, stalwart
and strong,--on one arm slept a little child, in the other hand he held
his gun. Still she chanted on.
Perhaps, when her husband last looked forth, he was half ashamed to
find what a fear he felt for her. He knew she would never leave the
child so long but for some direst need,--and yet he may have laughed at
himself, as he lifted and wrapped it with awkward care, and, loading
his gun and strapping on his horn, opened the door again and closed it
behind him, going out and plunging into the darkness and dangers of the
forest. He was more singularly alarmed than he would have been willing
to acknowledge; as he had sat with his bow hovering over the strings,
he had half believed to hear her voice mingling gayly with the
instrument, till he paused and listened if she were not about to lift
the latch and enter. As he drew nearer the heart of the forest, that
intimation of melody seemed to grow more actual, to take body and
breath, to come and go on long swells and ebbs of the night-breeze, to
increase with tune and words, till a strange, shrill singing grew ever
clearer, and, as he stepped into an open space of moonbeams, far up in
the branches, rocked by the wind, and singing, "How beautiful upon the
mountains are the feet of him that bringeth good tidings, that
publisheth peace," he saw his wife,--his wife,--but, great God in
heaven! how? Some mad exclamation escaped him, but without diverting
her. The child knew the singing voice, though never heard before in
that unearthly key, and turned toward it through the veiling dreams.
With a celerity almost instantaneous, it lay, in the twinkling of an
eye, on the ground at the father's feet, while his gun was raised to
his shoulder and levelled at the monster covering his wife with shaggy
form and flaming gaze,--his wife so ghastly white, so rigid, so stained
with blood, her eyes so fixedly bent above, and her lips, that had
indurated into the chiselled pallor of marble, parted only with that
flood of solemn song.
Public-domain text, read in full here on John Shaqi.
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