The Atlantic Monthly, Volume 05, No. 32, June, 1860: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 05, No. 32, June, 1860: A Magazine of Literature, Art, and Politics
Various
American periodicals
Long had the Sphinx waited. Year after year the flocking pigeons flitted
and wheeled through the sweet skies of spring, built their nests and reared
their young; tiny lizards, the new birth of the season, coiled and
glittered on the hot sands like wandering jewels; every creature, dying out
of conscious life, left its perpetuated self behind it, and repeated its
own youth in its young, according to its kind: but the Sphinx lived
alone. Nor all-unconscious of her solitude: for he who formed that massive
shape, chiselled those calm, expectant lips, and wide eyes pensive as
setting moons, he had not failed to do what all true artists do in virtue
of their truth,--he had shared his own life with his own creation, and it
was his lonely yearning that stirred her pulseless heart. Little did he
think, toiling at that stupendous figure, ages gone by, that he transfused
into the stone at which he labored, like a patient ant at some stupendous
burden, no little share of that creative yearning that inspired him to his
task; as little as you think, dear poet, whether poet, painter, or
sculptor,--for all are one, and one is all,--that in those dreams which you
write, as unconscious of your power as the transcribing stylus of its
office, your own heart pulsates for a listening world, and the very linking
of words that so respire their own music makes those words self-sentient of
their breaking, thrilling melody, and wrings or exalts them, idea-garments
as they are, with the restless heaving of the thought that wears them.
Or you, whose sun-steeped brush brings to life on canvas the golden trances
of August noons, the high, still splendor of its mountain-tops, which the
sun caresses with fiery languor, the unrippled slumber of its warm streams,
the broad glory of its woods and meadows fused with light and heat into the
resplendent haze that earth exhales in her day of prime, till he who sees
the picture hears the cricket's chirping in its moveless grasses, and
scents the rich aromatic breath of its summer-passion and its rapturous
noon,--do you dream, when at last the perfect work repeats your thought,
and you rest in the tropie atmosphere you have created, that in very truth
the picture itself is full of inward heat and breathless languor? For you
have poured out the colors that light makes out of heat, and in them the
still inevitable light shall ever stir the recreating heat that clothes
itself in color, and bring your thought, no more a dead abstraction, but a
living power, into the very substance whereby you have expressed it. And
even so far as you were creative, so shall your work be informed by you,
and not mere dead pigment and dried oil and dull canvas be your autograph,
but the vivid and inspiring blazon of an inspired idea shall glow life-like
on some friendly wall, and in its turn inspire some other soul, whose light
within needs but the breath from without to burst upward in clear flame.
Public-domain text, read in full here on John Shaqi.
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