The Atlantic Monthly, Volume 05, No. 32, June, 1860: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 05, No. 32, June, 1860: A Magazine of Literature, Art, and Politics
Various
American periodicals
"How the deuse," thought I, as I stared at them, "can a discerning public
be satisfied with Cole's pictures of 'American Scenery in the Fall of the
Year'? You see on his canvas, to be sure, red, green, orange, and so on,
the peculiar tints of the leaves; but Nature does more (and Cole does not):
she blends the variegated hues into one bright mass of bewitching color by
the magic of this soft, golden, hazy sunshine. I wish, too, that the great
company of story-tellers would let scenery rest in peace. The charm of a
landscape is entireness, unity; it strikes the eye at once and as a whole.
Examination of the component parts is quite a different thing. Who ean
build up a view in his mind by piling up details like bricks upon one
another? Most people, I suspect, will find, as I do, that, no matter what
author they may be reading, the same picture always presents itself. A
vague outline of some view they have seen arises in the memory,--like the
forest scene in a scantily furnished theatre, which comes on for every
play. The naked woods, trees, rocks, lake, river, mountain, would have done
the business just as well, and saved a deal of writing and of printing. The
most successful artist in this line I know of is Michael Scott, whose
tropical sketches in 'Tom Cringle's Log' are unequalled by any
landscape-painter, past or present, who uses pen and ink instead of canvas
and colors."
My trance was broken by the voice of the brakeman shouting, "Thunderkill,"
into the car, as the train drew up at a wooden station-house. Jumping out,
I asked the way to General Van Bummel's. A man with a whip in his hand
offered his services as guide and common carrier. I determined to
experience a new sensation,--for once in my life to anathematize
expenditure, and charge it to the office. So, climbing into a kind of
leathern tent upon wheels, I was soon on my way to the leaguer of the
General. A drive of a mile brought us to two stout stone gateposts,
surmounted each by a cannon-ball, which marked Van Bummel's boundary. We
turned into a lane shut in by trees. While busily taking an inventory of
the General's landed possessions for future use, my attention was drawn off
by loud shouts, the sound of the gallop of horses and the rattling of
wheels. Imagining at once that the General's family-pair must be running
away with his family-coach, I eagerly urged my driver to push on; but the
cold-hearted wretch only laughed and said he "guessed there was nothing
particular the matter." At last, we _debouched_ (excuse the word; I have
not yet got the military taste out of my mouth) upon a lawn, across which a
pair of large bay horses, ridden postilion-fashion by one man, were
dragging a brass six-pounder, upon which sat another in full uniform.
"What the Devil is that?" said I.
"That's the Gineral and his coachman a-having a training," answered my
driver.
As he spoke, the officer shouted, "Halt!"
Coachy pulled up.
Public-domain text, read in full here on John Shaqi.
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