The Atlantic Monthly, Volume 06, No. 33, July, 1860: A Magazine Of Literature, Art, And PoliticsVarious
Science
The Atlantic Monthly, Volume 06, No. 33, July, 1860: A Magazine Of Literature, Art, And Politics
Various
American periodicals
"Macbeth's doom is my picture. You will wonder I preferred the solid
wall to canvas, perhaps,--but so did the genuine old artists. Lippo
Lippi, and Giotto, and--why, Orcagna painted on graveyard walls; and
I can almost fancy, sometimes, that this room is a vault, a tomb, a
dungeon, where they torture people. Turn to the place, good Mac,
Shakespeare's tragedy of 'Macbeth,' Act Third, Scene Fourth, and read
the scene to us, as you know how to read; I will manage the
accompaniments."
As he spoke, he touched the salver with a lighted match, so that a
blue alcoholic flame flickered up before the curtain, making the poor
lad's face seem more ghastly than ever.
"You must sit down, Clarian," cried Dr. Thorne, resolutely.
Clarian smiled again, that dim, uncertain smile, and answered,--
"Nay, Doctor, let me have my own way for an hour, and after that you
shall govern me as your learned skill suggests. And do not be uneasy
about my 'creamfaced' aspect, as I see Ned is: there is plentiful
cause for it, beyond the feebleness of this very present, and
to-night is not the first time I have worn these 'linen cheeks.' Read
on, Mac."
We sat there in the dim light, breathless, awed,--for all of us saw
the boy's agony, and were the more shocked that we were unable to
understand it,--until, at last, in a voice made more impressive by
its tremor, Mac began to read the terrible text,--to read as I had
never heard him read before, until a fair chill entered our veins and
ran back to our shuddering hearts from sympathy. Then, as he read on
and painted the king and murderer together, while his voice waxed
stronger and fuller, we saw Clarian step forward to the salver and
busy with its lambent flame, till it blazed up with a broad, red
light, that, shedding a weird splendor upon all around, and lending a
supernatural effect to the room's deep shadows, the picture's
funereal aspect, and the unearthly pallor of the boy's countenance,
startled our eyes like the painful glare of midnight lightning.
"Thou canst not say, I did it! Never shake Thy gory locks at me!"
Public-domain text, read in full here on John Shaqi.
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