The Atlantic Monthly, Volume 07, No. 40, February, 1861: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 07, No. 40, February, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
We cry your mercy, gayest of cities, with your bright Bois de Boulogne,
and your splendid _café's!_ We do not much affect your shows, but we
cannot dismiss forever the cheerful little room, cloud-environed almost,
up to which we have so often toiled, after days of hard walking among
the gaudy streets of the French capital. One pleasant scene, at least,
rises unbidden, as we recall the past. It is a brisk, healthy morning,
and we walk in the direction of the Tuileries. Bending our steps toward
the Palace, (it is yet early, and few loiterers are abroad in the leafy
avenues,) we observe a group of three persons, not at all distinguished
in their appearance, having a roystering good time in the Imperial
Garden. One of them is a little boy, with a chubby, laughing face, who
shouts loudly to his father, a grave, thoughtful gentleman, who runs
backwards, endeavoring to out-race his child. The mother, a fair-haired
woman, with her bonnet half loose in the wind, strives to attract the
boy's attention and win him to her side. They all run and leap in the
merry morning-air, and, as we watch them more nearly, we know them to
be the royal family out larking before Paris is astir. Play on, great
Emperor, sweet lady, and careless boy-prince! You have hung up a picture
in our gallery of memory, very pleasant to look at, this cold night in
America. May you always be as happy as when you romped together in the
garden!
The days that are fled still knock at the door and enter. We are walking
on the banks of the Esk, toward a friendly dwelling in Lasswade,--_Mavis
Bush_ they call the pretty place at the foot of the hill. A slight
figure, clad in black, waits for us at the garden-gate, and bids us
welcome in accents so kindly, that we, too, feel the magic influence of
his low, sweet voice,--an effect which Wordsworth described to us years
before as eloquence set to music. The face of our host is very pale,
and, when he puts his thin arm within ours, we feel how frail a body may
contain a spirit of fire. We go into his modest abode and listen to his
wonderful talk, wishing all the while that the hours were months, that
we might linger there, spellbound, day and night, before the master of
our English tongue. He proposes a ramble across the meadows to Roslin
Chapel, and on the way he discourses of the fascinating drug so
painfully associated with his name in literature,--of Christopher
North, in whose companionship he delighted among the Lakes,--of Elia,
whom he recalled as the most lovable man among his friends, and whom he
has well described elsewhere as a Diogenes with the heart of a Saint
John. In the dark evening he insists upon setting out with us on our
return to Edinburgh. When it grows late, and the mists are heavy on the
mountains, we stand together, clasping hands of farewell in the dim
road, the cold Scotch hills looming up all about us. As the small figure
of the English Opium-Eater glides away into the midnight distance, our
Public-domain text, read in full here on John Shaqi.
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